Peachtree 65SE and 125SE Integrated Amplifiers | Product Overview – Video
August 30, 2014 Comments Off on Peachtree 65SE and 125SE Integrated Amplifiers | Product Overview – Video
Creek Evolution 50A Integrated Amp Review Video
August 30, 2014 Comments Off on Creek Evolution 50A Integrated Amp Review Video
Parasound Halo P5 Preamplifier Review
August 29, 2014 Comments Off on Parasound Halo P5 Preamplifier Review
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” The P5 is really very neutral, that’s the first thing that I noticed. It honestly makes the Roksan sound a bit coloured and warm for my liking and this is something I hadn’t noticed about the Roksan previously.”
Clones Audio 25i Integrated Amplifier Review
August 29, 2014 Comments Off on Clones Audio 25i Integrated Amplifier Review
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” I like this amplifier a lot. It’s no powerhouse and perhaps that’s the reason why I found loudspeaker matching to be more crucial than usual during my three-month audition time. However, find the right dance partner and the Clones 25i brings the goods”
REL S/3 SLIGHT SUB – REVIEW
August 29, 2014 Comments Off on REL S/3 SLIGHT SUB – REVIEW
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” The next was a spot of repositioning by REL expert Kev Starkie. I’d placed the S/3 in line with the loudspeakers and this appeared to work well, but a well-trained ear and a spirit of experimentation ended with the speaker closer to the corner of my room”
Audio Research SP20 Preamplifier Review
August 29, 2014 Comments Off on Audio Research SP20 Preamplifier Review
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“With the SP20, Audio Research Corporation strides surefootedly back into the market of high-end preamplifiers. While not at the rarefied level occupied by ARC’s Reference components, it’s a big step up from the SP16 and SP17, and enters the territory occupied by ARC’s best non-Reference phono and line stages.”
Martin Logan Loudspeaker -Video
August 29, 2014 Comments Off on Martin Logan Loudspeaker -Video
Alclair RSM Quad Custom In-Ear Monitor
August 28, 2014 Comments Off on Alclair RSM Quad Custom In-Ear Monitor
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The RSMs best the W4’s by a rather large margin to my ears. Not only does the audio feel less ‘in my head’, but the placement of instruments makes more sense. The RSM does a better job of painting the stage for me”





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