Starke Sound SW15 Subwoofer | REVIEW

May 18, 2026 § Leave a comment

https://pt.audio/2026/04/25/starke-sound-brev-sw15-subwoofer-review

The question becomes this: are these state-of-the-art speakers systems finally getting it right? Have I been listening for the wrong thing? I thought about this during my first listening sessions with the Starke Sound SW15. Will the SW15 get it right/wrong? Or will the SW15 get it wrong/right? Well, the Starke Sound SW15 fell into the later camp, with the second drum beat deeper and more impressive. I thought I had an answer to this–has my view of the Yulunga Test changed because I’m using more grounding and noise suppression and power conditioning and that lower noise floor is the reason for the changing perspective? That was easy to find out, of course, by unplugging all those devices and listening again. Despite the fact that my entire system dropped down a notch of three in overall sound quality without this gear in the chain, the Starke Sound SW15 still delivered more impact on that second beat, and until I figure this out completely I’m going to move onto the next demo track, which is the title track from Radiohead’s Kid A.

There’s no doubt this is heavy electronica, but there are some synthesizer bass passages that just seem to dive underneath your floorboards and surface right underneath your listening chair like Esther Williams. The test, however is this: are those beats pronounced and full, or are they down a few dB? If your speaker doesn’t hit at least 50 Hz, those beats might actually disappear. It’s also common for a lesser transducer to make those beats sound slightly distorted and sloppy. With the Starke Sound SW15 and the Acoras, those notes are deep and round and full and clear. I’ve heard a little more decay with far more costly speaker systems, and perhaps more of those subtle textures and shadings that I look for in the Yulunga Test, but this is the first time I’m compelled to remind everyone of the price here.

J.SIKORA ASPIRE TURNTABLE REVIEW

May 18, 2026 § Leave a comment

Aspire does not push hype momentum but provides consistent, fluid tracking of music regardless of genre. This is the key point of any well-balanced record player: the primary focus should always be accurate music reproduction supported by technology, not the other way around, as is the case with many products on the market.

With analog, things are both simple and complex. Striking a balance between making things as simple as possible and using various technological concepts to avoid friction at any point is crucial and cannot be ignored, bypassed, or achieved through the implementation of underdeveloped technical features.

There is no easy way to design a turntable with proper sound quality, such as maintaining perfect pitch, ensuring effective geometry, and managing unwanted micro-vibrations and resonances, regardless of the type of suspension used.

In the analog domain, many unwanted factors must be addressed, and combining everything into a functional record player that not only produces sound but also extracts and reproduces music is not an easy task.

It’s all about musical authenticity, and craftsmanship thrives there. In the analog micro and macro universe, everything revolves intimately around timing and synchronicity, supported by unreserved frequency response and minimized or eliminated resonances, vibrations, and distortions.

Mick’s Subaru Legacy

May 18, 2026 § Leave a comment

NAD M33 V2 streaming amplifier Review

May 18, 2026 § Leave a comment

Aurender N50 server/streamer Review

May 17, 2026 § Leave a comment

https://www.stereophile.com/content/aurender-n50-serverstreamer

Overall, the Conductor app is a pleasure to use: polished, complete, and easy to navigate. It has filtering, by recently added, format, sample rate, bit depth, and favorite tracks. It supports gapless playback, a feature sometimes neglected but of key importance for fans of classical music and some other genres. It does not support the grouping of tracks by composition; to my knowledge, Roon is the only platform that can do this.The N50 supports Apple’s AirPlay 2 and UPnP file streaming, though for UPnP streaming, you will need a third-party control app such as MConnect. Qobuz Connect and Spotify Connect are both supported—you can use the N50 with those apps controlling playback—but Tidal Connect is not.

Kubala-Sosna Ovation Speaker Cables $16,500 Review

May 17, 2026 § Leave a comment

How do the Ovation cables compare to Kubala-Sosna’s other cable lines? The Emotions imaged superbly and were warm, a little forgiving and a touch soft. The Elations were a step toward a more neutral and resolving cable but lost just a touch of the Emotions musical beauty. The Realization cable line was a return to the roots and soul of the Emotion cables but with far more resolution and transparency and a reduction in colorations. And the new Ovation speaker cable clears the bases.

Other speaker cables may offer slightly more resolution, sound slightly faster or be more liquid sounding. But I have yet to encounter another cable as balanced, linear, dynamic, and capable of expansive soundstage, exceptional dimensionality, ultra resolution, and deep, detailed bass as the Ovations.

When all is said and done, the best audio cables should be seen and not heard. Imparting as little of their character as possible to the sound of the audio system. Neither adding to nor subtracting from the music. If there’s one cable that meets those criteria, it’s the new Kubala-Sosna Ovation speaker cables. My new reference. And for those searching for the best in audio cables, possibly yours, too.

WADAX Studio DAC Review

May 17, 2026 § Leave a comment

 HiFiMan Isvana Review

May 17, 2026 § Leave a comment

Legacy Audio Signature XD Tower Speaker $17,000 Review

May 16, 2026 § Leave a comment

The Legacy Signature XD floor-standing speakers deliver quality construction and musicality in a relatively compact footprint (although a heavy one indeed). Having visited the factory, I can attest to their thorough R&D, quality construction, extreme attention to detail, and amazing assortment of veneers and finishes. These are speakers made by people who love music, and it shows in their products. I give a hearty thumbs up to these exquisite speakers and hope you get an opportunity to hear them in a showroom someday. They just may turn up in your living room!

Tech Model 2RQ TVTI Balanced Power System | REVIEW

May 16, 2026 § Leave a comment

https://pt.audio/2026/02/13/equitech-model-2rq-tvti-balanced-power-system-review

I realize it’s hard to discuss the importance of power management–so many audiophiles I know use nothing at all and they’re perfectly happy. But once you experience your hi-fi through a balanced power system, it’s very hard to return to the way things once were. (That goes for adequate grounding as well.) The Equi=Tech made that painfully aware once I took it out of the system. Can I survive with my normal complement of earthing devices and noise suppression and power conditioning? I can, but with one caveat: the Equi=Tech seemed to supplant many of those products in one box. I can describe that as downright economical, in fact. The comparisons between the Model 2RQ and nothing at all, however, were shockingly obvious, more than any other single power management device I’ve used in the past.

It’s rather industrial looking, downright utilitarian, especially when compared to other power management devices that are built to look like $50K power amplifiers, but that suggests the seriousness of this product and that it’s manufactured for people who know when something works and when it’s not pulling its own weight. (Besides, I still put my power management products behind the rack, so who cares.) My conclusion is that I’ve yet to try another power management product that gets the job done in such a convincing manner. Plus, it’s not ridiculously priced compared to some of the high-end competition out there.

Thanks, Doug, for introducing me to Equi=Tech. Highly recommended.