Grado Announces Grado Signature S550 Headphones

March 26, 2026 § Leave a comment

The Signature S550 comes standard with Grado’s new B cushions and remains compatible with the full Grado cushion lineup, allowing listeners to tailor both comfort and sonic presentation to their individual preference. Like all headphones in the Signature Line, the S550 utilizes Grado’s Signature headband assembly. Integrated within the leather headband is a flexible metal support that allows the fit to be gently adjusted, enabling listeners to fine-tune how the headphone rests on the head and personalize comfort over time based on individual listening habits.

The S550 features the narrower leather headband strap, as used on the S750, and incorporates engraved metal gimbals, stainless-steel height rods, reinforced junction blocks, and controlled housing rotation to ensure durability, stability, and long-term comfort during extended listening sessions.

Patricia Barber • Modern Cool Review

March 26, 2026 § Leave a comment

https://www.theaudiobeat.com//music/patricia_barber_modern_cool_lp.htm

How does the sound of the new Impex pressing stack up to that of earlier pressings? It’s easily better than that of my prior favorite, the Premonition 180-gram reissue from 2014. In its day, this release easily bested the 1998 pressing and even the 45rpm Mobile Fidelity box set from 2005, and it gave rise to the false assumption that Modern Cool could never sound better. However, Impex dug a little deeper and found room for improvement. This latest release achieves better separation and definition of the instruments, with the band playing in a deeper and more realistic space. In that respect, the music seems less “in your face” because of the added depth and overall dimensionality. The music simply sounds less digital, closer to that of an all-analog recording.

REL Carbon Special with Kevin Deal and John Hunter

March 26, 2026 § Leave a comment

Pro-Ject Signature 12.2 turntable/arm Review

March 25, 2026 § Leave a comment

https://www.hifinews.com/content/pro-ject-signature-122-turntablearm

Contributing to this moreish sound is the turntable’s superlative bass. The Signature 12.2’s innovative drive system and bearing, plus that weighty platter, combine to give good speed stability [again, see PM’s Lab Report] and a low end that is precise and richly textured. The rhythm section in Caro Emerald’s ‘Back It Up’ [Deleted Scenes From The Cutting Room Floor; Grandmono Records STEMRA GM006] bounced along, snappy and tight and deep. Meanwhile, Caroline van der Leeuw’s vocals stood proud of the accompaniment, and the Signature 12.2 brought bags of scale, punch and drive to the whole piece.

Even better, Neil Peart’s drums on Rush’s ‘Leave That Thing Alone’, from 1993’s Counterparts [Atlantic 7567825281], had floor-shaking impact. Geddy Lee’s basslines were sinuous, fluid and distinct. Turntables with less accomplished drive systems can cause the notes here to subtly merge into each other, but Pro-Ject’s deck was having none of it.

The new Night Flight LP, Exit Stage Left [Roof Jump RJR001LP] has musical magic in its grooves but the recording is somewhat ‘thick’ and stodgy. With the Signature 12.2 in charge, however, tracks like ‘A Song Upon The Window’ still had heart and soul. Again, the kick drum pummelled my speakers’ bass drivers, and the turntable stretched out the dense recording well.

iBasso DX340 Review

March 25, 2026 § Leave a comment

https://www.whathifi.com/hi-fi/portable-music-players/ibasso-seeks-to-challenge-astell-and-kern-and-fiio-with-its-elegant-flagship-portable-player

Chinese brand iBasso is looking to take the fight to the likes of Astell & Kern and FiiO with its latest premium portable music player.

The new DX340 is, says its maker, made “for discerning users who demand both sonic excellence and intuitive usability” teasing flagship performance and engineering in a portable, “elegant” form.

Powered by a Qualcomm Snapdragon 665 processor, the new player offers 256GB of internal storage, although this can be expanded to up to 2TB via the provided microSD slot.

Inside Kimber Kable | Factory Tour & CEO Interview

March 25, 2026 § Leave a comment

VonSchweikert Ultra 11 Speaker System at Tampa Audio Expo 2026

March 25, 2026 § Leave a comment

PARAGON SIGHT & SOUND, HARMONIC RESOLUTION SYSTEMS — THE FOUNDATION OF PERFORMANCE

March 24, 2026 § Leave a comment

For this system install by Paragon Sight & Sound, Harmonic Resolution Systems (HRS) played a central role in both performance and protection. With a full HRS VXR Frame system, custom amp stands, and M3X2 and S3 isolation bases supporting each component, Paragon Sight & Sound created an environment where every piece of equipment can perform …

Inside Where Linkin Park, Bon Jovi & RHCP Recorded

March 24, 2026 § Leave a comment

Dynaudio Confidence 20 Active Space loudspeaker $24,000 Review

March 21, 2026 § Leave a comment

https://www.stereophile.com/content/dynaudio-confidence-20-active-space-loudspeaker

The second is an analog sensitivity control with three settings (Low, Mid, High) to match speaker sensitivity to source output voltage. The third provides sound adjustment with three tone settings: Dark, Neutral, and Bright. I preferred Neutral with most music and Dark with certain ’70s pop albums and early digital recordings. The fourth knob is a room-position control with three settings—Wall, Corner, and Free—to adjust for speaker placement near (or not near) room boundaries. The fifth knob offers sample rate conversion, which can be set to leave the source sample rate intact for the highest sound quality or to convert the files to enable gapless playback of tracks with different sample rates. The sixth and final control is a light switch that sets the illumination of the Y-shaped Dynaudio logo on the front of the stand to Off, On, or Dim. The light glows white during playback, flashes red if there’s clipping at the analog input, pulses red rapidly if thermal protection is activated, and extinguishes itself after 20 minutes without a signal. I never saw it turn red.