Dynaudio Confidence 20 Active Space loudspeaker $24,000 Review
March 21, 2026 § Leave a comment
https://www.stereophile.com/content/dynaudio-confidence-20-active-space-loudspeaker
The second is an analog sensitivity control with three settings (Low, Mid, High) to match speaker sensitivity to source output voltage. The third provides sound adjustment with three tone settings: Dark, Neutral, and Bright. I preferred Neutral with most music and Dark with certain ’70s pop albums and early digital recordings. The fourth knob is a room-position control with three settings—Wall, Corner, and Free—to adjust for speaker placement near (or not near) room boundaries. The fifth knob offers sample rate conversion, which can be set to leave the source sample rate intact for the highest sound quality or to convert the files to enable gapless playback of tracks with different sample rates. The sixth and final control is a light switch that sets the illumination of the Y-shaped Dynaudio logo on the front of the stand to Off, On, or Dim. The light glows white during playback, flashes red if there’s clipping at the analog input, pulses red rapidly if thermal protection is activated, and extinguishes itself after 20 minutes without a signal. I never saw it turn red.

OMNE Audio Hendeka. $749 Review
March 21, 2026 § Leave a comment
https://www.headfonia.com/omne-audio-hendeka-review/
Priced at $585 USD, the Hendeka occupies what the community has started calling the upper mid-fi segment. In any earlier era of audio, this would simply have been called high-end. Inflation, as they say, is a relentless companion.
The boutique headphone market can be genuinely unpredictable. Small manufacturers often chase bold tuning philosophies, and in doing so, sometimes sacrifice versatility for the sake of a strong identity. The Hendeka could easily have fallen into that trap. Instead, it strikes a thoughtful balance between excitement and refinement – and that balance reveals itself quickly.
From the moment you pick it up, the Hendeka feels like something built by enthusiasts rather than a corporate committee. There are visual and tactile cues everywhere that suggest genuine care: the way the earcup geometry sits in your hand, the weight distribution, the finish quality on the 3D-printed components. At the same time, it avoids looking unfinished or experimental – a concern that follows many boutique builds, whether fairly or not.

JBL Summit Ama loudspeaker Review
March 19, 2026 § Leave a comment
https://www.hifinews.com/content/jbl-summit-ama-loudspeaker
JBL’s huge, varied range of loudspeakers can make it hard to work out what belongs where, but one look at the oh-so-stylish Summit Ama will tell you it’s a flagship model. It has all the attributes of one too, from the quality of its craftsmanship (including the partnering stands) to a pristine performance that brings out all the life and energy of your recordings. A peaky blinder, if you’ll pardon the pun…

Noble FoKus Prestige Encore $699 Review
March 19, 2026 § Leave a comment
https://www.headfonia.com/noble-fokus-prestige-encore-review/
The bass on the Prestige Encore is slightly reduced in quantity compared to the Rex5, but it gained refinement, control, and speed in exchange. It is less about raw impact and more about texture and agility. The 8mm dynamic driver delivers a pleasantly deep sub-bass punch when the track calls for it, but the mid-bass is leaner and cleaner with faster recuperation.
This slight reduction in quantity prevents any hint of bloat and allows the midrange to breathe more easily. It provides excellent punch and control for tracks that require it, and now congestion-prone and technically harder to render tracks feel more effortless, due to the improved dexterity.

Audio Research LS-2/S-200 pre/power amplifiers Review
March 18, 2026 § Leave a comment
https://www.hifinews.com/content/audio-research-ls-2s-200-prepower-amplifiers
If you’re looking for maximum impact amplifiers, with the excitement dialled up to 11, you won’t go far wrong here. The no-frills approach, flexibility of the LS-2 with those plug-in options, massive power of the S-200 and the purposeful styling will also all appeal. But there’s a nagging doubt that these amps sometimes try too hard, meaning care with partnering components may be needed to tame them a little.

LAiV Crescendo Verse Review
March 18, 2026 § Leave a comment
https://www.headfonia.com/laiv-crescendo-verse-review/
Over the course of the past weeks, I used the LAiV Crescendo Verse mostly at work in the office and at home. It was placed as a standalone DAC/Amp using an array of different IEMs and headphones. I used the FIR Audio Radon 6 and Project K, as well as the Volk Audio Étoile, 64 Audio Fourté Noir and Noble Audio Kronos. At home I hooked up the HiFiMAN Arya Unveiled and Susvara, next to the Nur Headphones Harmonia.
The Verse did not have issues driving any of the above IEMs or headphones, with the only exception being the Susvara. While it gets loud enough, it misses proper grip to unleash Susvara’s full potential. But honestly, you cannot blame the Verse here. Susvara is a beast to drive right.

EgglestonWorks Andra 5 loudspeaker $39,998 Review
March 17, 2026 § Leave a comment
https://www.stereophile.com/content/egglestonworks-andra-5-loudspeaker
The Andra 5 sound tends toward detailed and revealing. Recordings that can stand up to sharp focus and honest reproduction of their tonality will shine. Poor recordings may sound worse than they do through more forgiving speakers. EgglestonWorks’ stated goal is “to re-create a musical experience so vividly and accurately that it evokes the same emotion as a live performance.” The Andra 5s succeed at that if that emotion was captured in the recording.The look of the Andra 5 is unique and may be polarizing. The limitless choice of paint color gives buyers the choice of either blending them into the room decor or having them be more visually conspicuous. Fit and finish is superb.My brief relationship with the Andra 5s involved some adjustment and accommodation. In the terminology of modern human relationships, I had to put in the work. Then they delivered the promised sound qualities, and the work was quickly forgotten. It was a fun ride.

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