Prodigio Audio WR2 Arrabona Electrostatic Loudspeaker Video $38,000 Review

October 27, 2026 § Leave a comment

A stunning full-range electrostatic speaker from Hungary that surprises with a healthy dose of bass. Secrets Sponsor Highlights Prodigio Audio WR2 Arrabona Electrostatic Loudspeaker Solid low-end impact from an electrostatic panel speaker. Clean, clear reproduction with a slightly forward midrange presentation. Mildly accentuates vocals and midrange instruments in an appealing manner. Treble is smooth 

HumminGuru NOVA Advanced Ultrasonic Record Cleaning Machine $695 Review

October 27, 2026 § Leave a comment

https://www.analogplanet.com/content/humminguru-nova-advanced-ultrasonic-record-cleaning-machine

The HumminGuru advanced ultrasonic NOVA record cleaning machine is, in my opinion, a great value when you consider the quality of the cleaning-process implementation and the ability to run a wash-then-rinse protocol — and the only other current RCM that can do thisis the above-noted Degritter Mark II.

If you’re on a tighter budget, you can certainly consider the OG HumminGuru, which is indeed still available, and that model goes for $394. But the truth is, the new HumminGuru NOVA record cleaning machine delivers results that are unmatched by other RCMs in its $700 price range. Without question, the HumminGuru NOVA RCM is highly recommended.

Screenshot

A $900,000 Audio System in a Downtown New York Loft? Full System Tour

October 27, 2026 § Leave a comment

Planars vs. ribbons vs. AMT drivers

October 27, 2026 § Leave a comment

Burmester 232 Integrated Amplifier $40,000 Review

October 26, 2026 § Leave a comment

https://pt.audio/2026/09/13/pt-audio-burmester-232

I started off this review of the Burmester 232 discussing the spectrum of minimalism and maximalism, and where I fall into line. I’m still a minimalist at heart, which is why I occasionally enjoy simple integrated amps such as the Konus Audio Integrale 2000 and any product LFD has ever made. At the same time, I’ve been surprised by the steady and increasing quality of all-in-one control centers, “Integrated Amp Plus” so to speak, because the industry has learned so much about noise reduction and galvanized isolation and external power supplies and that’s why we’re seeing so many “state-of-the-art” integrated amplifiers these days. (Once again, a pair of interconnects between a preamp and an amp can be a greater sonic compromise than a shared power supply.)

The Burmester 232, however, might be the most accomplished all-in-one I’ve reviewed because it offers so many features that are so well-executed that $40,000 seems like a small price to pay for having it all, and having it sound this amazing. The 232 is the type of integrated amplifier that you should purchase first, and then build everything around it with confidence because it’s unlikely you’ll need to buy anything else for years to come. Highly recommended.

Jennifer Warnes Famous Blue Raincoat Review

October 26, 2026 § Leave a comment

https://www.audiophilia.com/reviews/2026/9/20/famous-blue-raincoat-the-art-behind-an-audiophile-classic

The obvious question was whether returning to 33⅓rpm would come at a sonic cost. Remarkably, it gives up very little to the Cisco. The same sense of scale and dimensionality remains, but the Impex shifts the balance slightly toward a fuller, rounder and more relaxed presentation. Bass is deep and richly weighted, while the upper frequencies retain plenty of life without the harder edge of the Cypress.

What distinguishes the Impex most is how naturally all of these qualities come together. Drums have greater body and presence, piano and strings carry more warmth and weight, and the mournful saxophone on the title track hangs naturally within the acoustic space. On “Joan of Arc,” the music seems to advance and withdraw almost like waves, surging into the room and then pulling back toward the speakers. It is a wonderfully natural expression of the recording’s dynamics.

The $500,000 Synth Motown Bought To Replace Its Songwriters

October 26, 2026 § Leave a comment

The BEST Hi-Fi Isolation Platform I’ve Ever Heard? Stack Audio AUVA Review

October 26, 2026 § Leave a comment

Technics SL-1200GME Turntable $6599 Review

October 25, 2026 § Leave a comment

https://www.soundstagehifi.com/index.php/reference-components/2124-recommended-reference-component-technics-sl-1200gme-turntable

Yet those quibbles did little to temper his final assessment. Jonathan stated plainly that he believes “the Technics SL‑1200GME is the finest turntable one can buy for £5000, including tonearm,” though his praise went further, with him declaring that “it is an astonishing performer that can compete with turntables in the £10,000–£15,000 class” and, when properly isolated, “will match or better some very exotic hardware.”

That combination of high value and high performance earned the Technics SL‑1200GME a Reviewers’ Choice award when the review was published. But it’s the SL‑1200 GME’s benchmark-level performance—particularly its speed stability, rhythmic precision, engineering sophistication, ease of use, and overall sound quality—that makes it a standard against which other turntables should be judged and now earns it a Recommended Reference Component award.

Spec RSA-EX1000 Integrated Amplifier Review

October 25, 2026 § Leave a comment

https://www.soundstageultra.com/index.php/equipment-menu/1319-spec-rsa-ex1000-integrated-amplifier

These are three wildly different amplifiers, so they are obviously aimed at different prospective audiophiles. The most alike—or least different—are the Brama and the RSA‑EX1000. Both feature solid-state output stages, but that’s where the similarities end. The Brama is fronted by two 300B tubes in the input stage, whereas the Spec is solid-state throughout. Their amplifier topologies are mirror images of each other. The Spec has a class‑D output stage and a linear power supply, whereas the Brama sports a switch-mode power supply and a class‑AB output stage. The Brama is an exceptionally neutral-sounding amplifier, more so than the Spec, which is surprising given the presence of two plump, juicy triodes in the Brama’s low-profile chassis. But the RSA-EX1000 sounds more forward, engaging, and, well, exciting. The Spec is not shy. If I had to personally choose which flavor I’d prefer to live with, I think I’d end up with the VinnieRossi, if only because its neutrality would serve me better as a reviewing tool.

If I were freed from my reviewing chores, it’d be a much closer race. The Spec is a thrill to listen to. From the moment when it loosened up and settled in, it grabbed me by the hair and thrust the music at me. I could easily live with this amp.

And then there’s the Arne, which in the context of this review is the anti-Spec. They’re not even the same type of component—even just calling them both integrated amplifiers is a stretch. The Arne’s rated output of 30Wpc (downhill, with a tailwind) and the RSA‑EX1000’s solid-state armored fist work and sound wildly different. They look wildly different also, but you can see that for yourself.