Audiophilepure

https://www.theaudiobeat.com/equipment/wilson_audio_sabrinax.htm

The soundstage presented by the SabrinaX was both wide and surprisingly tall for a smallish speaker, with good depth on many recordings. Jose Carreras’s Misa Criolla, by Ariel Ramirez, [Philips 420 955-2] is known for being beautifully recorded, with a great sense of acoustic space. In the beginning of the “Kyrie,” softly beaten drums light up the acoustic signature of the hall (Santuario de la Bien Aparecida). With the SabrinaX, for the first time I could hear slap echo in the hall, suggesting a larger recording venue. As the choir enters, I heard individual voices as they either blended with or stuck out from the chorus. And when Carreras enters, his voice emerged between the speakers, floating above the sound of the chorus. I was reminded why I love this performance, and the Wilsons transported me to the venue.

https://www.enjoythemusic.com/superioraudio/equipment/0822/Von_Schweikert_Audio_Endeavor_Special_Edition_Loudspeaker_Review.htm

In the here and now, I find myself utterly delighted by what this speaker does well. The ESE images with the precision of the best small monitor speakers that I have encountered, but stages with greater conviction owing to its ability to play cleanly in my room into the low 30s, perhaps even lower. Its clean midrange, near single-driver coherence, and lack of overt coloration, all coupled with the ability to unravel the densest musical passages will endear it to anyone who loves classical music. By the same token its rich tone, airy top end, and class-leading micro-dynamic expressiveness will utterly delight jazz and pop fans. I can’t predict whether hard rock fans will line up to sing its praises, but at least one metal head friend holds the ESE in very high regard.