Audiophilepure

https://www.theaudiobeat.com/equipment/wilson_audio_sabrinax.htm

The soundstage presented by the SabrinaX was both wide and surprisingly tall for a smallish speaker, with good depth on many recordings. Jose Carreras’s Misa Criolla, by Ariel Ramirez, [Philips 420 955-2] is known for being beautifully recorded, with a great sense of acoustic space. In the beginning of the “Kyrie,” softly beaten drums light up the acoustic signature of the hall (Santuario de la Bien Aparecida). With the SabrinaX, for the first time I could hear slap echo in the hall, suggesting a larger recording venue. As the choir enters, I heard individual voices as they either blended with or stuck out from the chorus. And when Carreras enters, his voice emerged between the speakers, floating above the sound of the chorus. I was reminded why I love this performance, and the Wilsons transported me to the venue.

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