Warwick Acoustics Bravura M1 Headphone System Review

May 16, 2022 § Leave a comment

The Bravura’s midrange is as close to harmonically neutral as any headphone (or loudspeaker) that I’ve heard recently. Not too dry or too lush, the M1’s midrange characteristics are ideal for its primary intended use—as a reference monitor. Listening to my recording of the Matt Flinner Trio from a live concert at the Salina Schoolhouse through the Warwick Acoustics system was both a delightful listening experience and a very accurate rendition of the event. Listening through the Bravura system brought me back to the moment I made the recording.

Soncoz SGA-1 Headphone Amplifier Review

May 9, 2022 § Leave a comment

FELIKS AUDIO ENVY REVIEW

May 7, 2022 § Leave a comment

The first option impacts the performance and it as such is called the Performance pack. It sets you back €500 Euro and in exchange you get upgraded 300b tubes (Full Music) and UPOCC (single crystal copper) signal wiring. Our review sample has the performance pack. The second option is all about the looks: Oak wood is included and American walnut (our version) is €200 Euro extra. That brings the price of our review sample to €7.199 Euro. If you want another special type of wood, it’ll set you back another €400. Other customisations are possible, just ask Feliks Audio about them. In example your own laser engraving, custom internal components or multiple inputs and outputs for maximum functionality. Everything goes.

HeadAmp GS X mk2 Flagship Headphone Amplifi

April 25, 2022 § Leave a comment

LSA VT-70 TUBE INTEGRATED STEREO AMPLIFIER/HEADPHONE AMPLIFIER REVIEW

April 17, 2022 § Leave a comment

To perform my listening tests of the LSA VT-70 Tube Integrated Stereo Amplifier/Headphone Amplifier I used my Audio-gd R2R-1 DAC as source, powered by a Core Power Technologies A/V Equi=Core 1000, and for cabling Cardas Iridium single-ended RCA interconnects, Cardas Iridium power cords, and a Cardas Clear USB cable. LSA recommends letting the amplifier warm up for about half an hour before listening for best results. This may seem like a long time, but truth is solid-state amps can take several days to reach full operating temp, for this reason, the amplifier that is now running my AV system has only been powered off during the last 40 years, for moves, system changes, and power outages. One further step I went through before doing any serious listening was to re-bias the tubes. While strictly not necessary as this was done at the factory, tubes can change over time, and environmental factors, as well as the effects of shipping, can cause this to change. As it turned out, the bias was a little high, not critically so, but worth noting. Due to space considerations, I set up the VT-70 on the far side of my desk facing away from me, so the remote control came in real handy.

Chord Anni Desktop Amplifier Review

April 15, 2022 § Leave a comment

https://www.hifinews.com/content/chord-anni-desktop-amplifier

Is it a mini-amp with a fine headphone output, or a ‘head-fi’ design also capable of driving small speakers convincingly? However you look at it, Chord’s Anni is a great choice for desktop audio with a sound tailored to flatter partnering equipment. It’ll drive bigger, sensitive speakers at a push, but that’s not its role – the Anni ‘is what it is’, to quote an overused cliché, and looks and sounds well-judged for its tasks.

Cambridge Duo headphone amplifier & phono preamp

April 12, 2022 § Leave a comment

Chord Hugo TT2 & MScaler Review

April 11, 2022 § Leave a comment

IFI’S ZEN AIR SERIES

March 30, 2022 § Leave a comment

The core DAC technology is the same as the original ZEN DAC, using a Burr-Brown DAC chip that iFi favours for its natural-sounding ‘musicality’ and True Native architecture, combined with custom technology including bespoke XMOS firmware and digital filtering, and iFi’s GMT clock system to tackle jitter. Hi-res PCM is supported to 32-bit/384kHz, alongside DXD, and DSD64, 128 and 256. Thanks to the Burr-Brown chip’s True Native design, PCM and DSD take separate pathways – this enables both PCM and DSD to remain ‘bit-perfect’ in their native form. MQA is also supported (MQA rendering, like the original ZEN DAC, rather than full MQA decoding as performed by the ZEN DAC V2). Whilst simplified in comparison to the ZEN DAC V2’s fully balanced topology, the ZEN Air DAC’s analogue stage remains of exceptional quality at the price, with a symmetrical channel layout and audiophile-grade circuit components, including a custom op-amp offering ultra-low noise performance, and low-impedance power supply rails featuring Taiyo Yuden and Murata low-ESR inductors.

Woo WA33 Review 

March 29, 2022 § Leave a comment

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