Pure Audio One solid-state integrated amplifier $10,000 Review

February 29, 2020 § Leave a comment

https://www.dagogo.com/pure-audio-one-solid-state-integrated-amplifier-review/

“Moreover, unlike some amplifiers the Pure Audio One allows for future upgrading by serving as a power amp.  Fortunately, I was provided a Pure Audio Control 1 Preamplifier for testing purposes. The Control 1 preamplifier was subsequently followed by a new preamplifier called — you guessed it — the Control 2 Preamplifier. The Control 2 updates the power supply and uses a more standardized input selector similar to the One.

Regardless, the separate preamplifier makes some significant gains to the overall presentation concerning transparency and overall clarity without taking away the richness of the presentation. I was impressed with the gains made using the Pure Audio Control preamplifiers (although when I pushed the remote control volume, it operated both units at the same time).  Still, I felt the Control preamplifiers open up some of the sound creating more space, air, and articulation to vocals. Put simply, the presentation was more transparent.”

McIntosh MT2 Turntable Unboxing Video

February 29, 2020 § Leave a comment

Jazzed music streaming service launches

February 28, 2020 § Leave a comment

https://www.hifichoice.com/content/jazzed-music-streaming-service-launches

“Stepping up to the £5.99 (or £59.99 a year) jazzed+ tier ditches the ads, offers access to all of the curated content and exclusive videos and allows the user to skip tracks. Both tiers are streamed in a variable bit-rate in an advanced AAC+ compression format.

Expected “later in the year,” the jazzedpremium tier costs £14.99 a month (or £149.99 a year), offers more options in terms of curated audio channels and exclusive content, an advanced search facility and listen off-line functionality. Most importantly, it sees the audio quality increase to what’s described as “HD lossless audio (FLAC 16-bit)”

Focal Chora 816 Loudspeaker Review

February 28, 2020 § Leave a comment

https://www.audiophilia.com/reviews/2020/1/31/sx2mawfb31qml5sp0jy537p7mznx97

“I then put on my 70s Robert Ludwig mastered copy of Patti Smith’s Horses. The first track, “Gloria”, features a chorus where background singers shout in a call and response patter with Smith. This effect was rendered incredibly lifelike on the Choras and I was able to distinguish the individual voice types in this group section, something I wasn’t used to hearing. The snappy Reggae inspired guitars and drums in “Redondo Beach” displayed excellent transient response. I could hear the pick scrape against the guitar pickup. Moving on to the track “Money”, I did sense a bit of glare in the piano tone. As much as the highs and lows of this speaker continue to impress me, as well as the three dimensionality of the soundstage, I do get a sense that the midrange comes across as a bit simple and grainy at times. Not overly so, but it is a contrast against the otherwise well-rounded areas of the frequency range. Despite this, this speaker was producing the kind of fun, toe-tapping sound that so many “audiophile” speakers at this price (and even above) lack.”

Lab12 Integre4 Integrated Amplifier Review

February 28, 2020 § Leave a comment

https://www.soundstagehifi.com/index.php/equipment-reviews/1373-lab12-integre4-integrated-amplifier

“In an attempt to push the Integre4’s upper mids to their limit, I streamed several tracks from Spotify, itself a bright-sounding platform. With the somewhat mellow-balanced Living Voice Avatar speakers I also own, the voices and guitars in “Don’t Bother Calling,” from Moses Sumney’s Aromanticism (320kbps Ogg Vorbis, Jagjaguwar), sounded fairly well balanced through the mids and into the lower treble. So, too, did SZA’s voice in “Love Galore,” from her album Ctrl (320kbps Ogg Vorbis, RCA). But through the more neutral-balanced Klipsch Epic CF-2 speakers the Integre4 pushed the presence region forward, adding some shrillness and excess sibilance to SZA’s voice. “Birds of a Feather,” from Mocky’s Saskamodie (320kpbs Ogg Vorbis, Heavy Sheet Music), also had a bit of excess glare and brightness in the sounds of tambourines and whistling, sounding at times too harsh.”

Cary Audio SA-500.1 ES Monoblock Power Amplifier Review

February 27, 2020 § Leave a comment

http://www.theabsolutesound.com/articles/cary-audio-sa-5001-es-monoblock-power-amplifie/

“Resolution of fine detail was well integrated with the amplifier’s tonal balance and rhythmic timing, and thus tended to a “greater whole” sort of presentation rather than one of crystalline clarity of minute details. I am not altogether sure if much higher overall resolution would necessarily fit with the 500.1’s mid-hall listening perspective or with its generally flowing, warm, and solid-foundation personality, for that matter. An attempt to increase its resolution could result in the amp’s sound becoming forced or unbalanced. For example, if there is an abundance of bow-on-string sounds (suggesting a relatively near listening position), but the general tone of those same instruments also have more rich, burnished qualities (indicative of a more distant listening position), the end result could be a mélange of inconsistent spatial cues. Massed orchestral string sections had enough information to suggest individual players but not to the extent I am used to with the other—admittedly more expensive— amplifiers I had on hand (covered below). Singers’ lip sounds were evident on closely miked recordings, but they were not out of proportion with the general presentation.’

Pro-Ject Audio System X1 Turntable Review

February 27, 2020 § Leave a comment

“The mark of a seriously affordable turntable is – to my mind – that it has none of the nasties associated with cheap record replay, and should also be fun. Some of us are old enough to remember the cheap Garrards and BSR turntables of the nineteen seventies, and these had rumble and wow and flutter aplenty. The original Pro-Ject 1 largely dodged these bullets, but the new X1 takes us out of the danger zone altogether. It’s a solid, composed and competent performer that doesn’t struggle with the basics of record replay. This lets the listener relax and enjoy what’s so famous about vinyl – its big, bouncy sound. 

Perhaps most striking about its character is the surprisingly wide window that it opens up on the recording. If you’re used to entry-level digital, for example, you’ll be really surprised by just how ‘out of the box’ this sounds. For example, my 12” white vinyl pressing of Too Strong for So Long by Manix sounded expansive, with an upfront feel that saw the drum machine pushing out hard into the room, allied to wonderfully deep sub-bass that had my curtains flapping. The X1 set the scene really well for a budget turntable, floating the sound way beyond the physical boundaries of my loudspeakers. Vocals dominated the centre of the mix, giving things even more impact. There was decent stage depth too, especially when compared to budget digital that tends to render music only in two dimensions.”

Where Am I?

You are currently viewing the archives for February, 2020 at Audiophilepure.

%d bloggers like this: