May 28, 2018 § Leave a comment
“Obviously, I have the room and cables to handle an extensive multi-box audio system. Replacing all those boxes and wires with one AVM CS 8.2 was a refreshingly musical alternative experience. I found that when pitted against a separates system with approximately the same overall price tag the CS 8.2 can deliver equally impressive sound.
For me the one elephant in the room that kept staring me in the face and sideswiping me with its trunk was: “How does the AVM CS 6.2 compare with the AVM CS 8.2?” I have never heard the 6.2, so I am not qualified to answer that question. Since these two components are identical except for the tube linestage in the 8.2, the final decision between them is something that can only be made at an AVM dealer who has both units in stock.”
May 27, 2018 § Leave a comment
“When the recording contained it, there was no shortage of low-bass information from the Apollo. In “Almost Like the Blues,” from Leonard Cohen’s Popular Problems (Columbia 88875014292), the (presumably synthesized) bass line was entertainingly deep and full, as could also be said of Joe Ayoub’s electric bass in “Samson in New Orleans.” No stranger to the obvious, I also reached for Fritz Reiner and the Chicago Symphony Orchestra’s 1962 recording of Strauss’s Also sprach Zarathustra (RCA Living Stereo/JVC JMCXR-0011). The introduction’s famous low C, played by the double basses and organ, was adequately strong—rightly or wrongly, other CD players, such as the above-mentioned Sony, give it a little more weight—but where the Rega really shone was the same note at the work’s end, now plucked by the double basses and set against a B triad from the woodwinds. That low C had what I thought was the precisely correct weight and a beautiful sense of touch, not to mention superb pitch certainty.”
March 11, 2018 § Leave a comment
“The DSD upsampling function is a 995 euro option for the CD-T II transport. Personally, I would leave it out when purchasing it, but this is very much a relative matter. I know that there are many DSD fans out there and depending on personal taste and system matching, one might have a view different from mine. As with virtually all aspects of these two high tech products, the choice is yours, all the options are there, for the user to freely choose between.”
March 7, 2018 § Leave a comment
“But the design feature that is a standout for me has to do with the PD70-AE’s capacitors. These are no ordinary off-the-shelf caps. Instead, they were custom made for Pioneer and one huge reason why this player sounds so good and so different, from any of Pioneer’s previous flagship machines.
Connections are laid on and include one pair of gold-plated RCA outputs, one pair of gold-plated XLR outputs, one coaxial output, one optical output, one coaxial input and one optical input.”
February 3, 2018 § Leave a comment
‘The beautiful thing about owning a device like the TAD D1000MK2 Disc Player is you don’t have to worry, you just have to be happy. I did spin some shiny discs on the TAD’s disc spinner and they all sounded good. Really good. Better than the file? I wouldn’t say better but if you own lots of discs, CDs and perhaps more importantly SACDs that you don’t plan to turn into files, you can rest assured that the TAD will serve them very well. For my personal listening preferences, the TAD TAD-DA1000 DAC ($10,995) makes more sense because the physical music media I enjoy is of the vinyl variety but part of me really loves the sexy silent machined smooth beauty of the D1000MK2’s disc mechanism. It certainly plucks at my lover-of-lovely-things heartstrings.”
November 26, 2017 § Leave a comment
“Why would you want to add noise to the data stream? Using dither is a well-known technique in digital products to help improve resolution at very low signal levels. Here it only works for 16-bit signals, letting 24-bit streams pass unaffected.
With CD, we prefer the sound with the added dither as there’s a slightly greater sense of solidity and overall subtlety.”
November 3, 2017 § Leave a comment
“This model embodies the philosophy and technical standards behind TAD’s dedication to conveying all the passion contained within music. Testifying to this is the latest development derived from our top-end, highly praised TAD-D600 disc player: the Ultra-High C/N*1 Master Clock UPCG*2. To ensure precise reproduction with no tonal changes, TAD focused on minimizing low frequency distortion caused by noise from the clock itself occupying the same spectral region. Designed to achieve a pure low-noise signal approaching the upper limits of audibility, our highly innovative master clock is featured in this model.