Audio Note TT-One Deluxe Turntable Review
April 30, 2024 § Leave a comment
https://www.analogplanet.com/content/audio-note-tt-one-deluxe-turntable
The Audio Note TT-One Deluxe turntable’s price tag — which, all-in, with cart and arm included, is around $6K — might make your eyes water, and your bank account cry. But for those of you who crave the raw, unadulterated humanity of music and for whom perfectly relayed vinyl playback is a language understood more in the heart than the head, the Audio Note TT-One Deluxe is sweet surrender — a revelation. As my stepfather — a man more comfortable with the NASCAR roar than a Stravinsky concerto — might have put it in his gruff, entirely un-British drawl, “That there’s a honey.”
SOULNOTE A-1 INTEGRATED AMPLIFIER $3,999 REVIEW
April 30, 2024 § Leave a comment
Soulnote also implements a very unique (and likely expensive) relay-switched balanced attenuator. The resulting level settings are quite coarse but are accompanied by a satisfying and confidence-inspiring mechanical “click” of the relays switching as you change the volume.
The case and circuit layout are said to be symmetrical, and the case incorporates all of Soulnote’s unique resonance control schemes.
The whole deal only weighs about 22 pounds which is very lightweight for an 80 wpc Class A/B integrated amplifier. The toroidal transformer visually appears to be undersized for the amplifier’s claimed power delivery.
Bluesound POWERNODE EDGE $649 REVIEW
April 28, 2024 Comments Off on Bluesound POWERNODE EDGE $649 REVIEW
https://www.audiophilia.com/reviews/2023/10/10/bluesound-powernode-edge
In my office reference system driving the 91-dB / 4 ohm Care Orchestra Deep Breath Evo monitors the Powernode delivered what I can call a full performance. I heard surprisingly tuneful bass from these power-hungry boxes. Articulate and substantial midrange as well. Treble information was detailed and important for any budget audio component, it was free from uncomfortable grain and harshness. My AmazonHD stream of Leonard Bernstein’s 1987 live recording of Mahler Symphony No. 5 with the Vienna Philharmonic (Deutsche Grammophon) started with a convincing trumpet fanfare to open the famous funeral march. The rich tone drew me into the narrative and the decent spatial separation of orchestra sections helped paint a full picture of the performance.
QUAD REVELA 2 FLOOR-STANDING SPEAKER $4495 REVIEW
April 28, 2024 Comments Off on QUAD REVELA 2 FLOOR-STANDING SPEAKER $4495 REVIEW
Because of this whole “reviewing” thing, I’ve been given the opportunity to listen to and experience several speakers that I would have otherwise passed over. This is a speaker that would have fallen into the passed-over category. And that would have been a shame. The Revela 2 is a stout, 3-way floor-standing speaker. It features twin 6.5″ woofers, a 6″ midrange driver, and a single 2.5″ ribbon driver taking care of the high frequencies. The speaker stands a hair over 37″ tall and weighs 60 lbs. The Revela is available in piano walnut and black piano gloss. And retail for $4495.00 USD.
Tektron Italia Neptune Reference Vacuum Tube Integrated Amplifier Review
April 27, 2024 Comments Off on Tektron Italia Neptune Reference Vacuum Tube Integrated Amplifier Review
https://www.audiophilia.com/reviews/2024/3/4/neptune
The acoustics are surprisingly good, giving a full amplitude to the horns and brass and revealing an unfailing purity of sound and accuracy from the upper strings. The bass is perhaps slightly muddied in spots, but this, in no way, mars the overall impression of a stunning sound and performance. The Neptune’s macrodynamics are represented with a clear, yet golden glow that is so typical of SET amps but with a bonus from the Neptune’s 211 power tubes. With no negative feedback required, neither local nor global and low levels of distortion, the 211s create a substantially open and spacious soundstage, augmenting the perception of depth and instrument placement with this orchestra and this recording. T
PlatiMon Virtual Coaxial One Speakers $6,000 Review
April 27, 2024 Comments Off on PlatiMon Virtual Coaxial One Speakers $6,000 Review
The PlatiMons deliver an excellent sense of timing and musical pace. When at Chris’ house the other night listening to his setup of the new Skyanalog REF cartridge, the same thing was going on with his reference system when we listened to Kind of Blue. All of the instruments were blended as they should be, yet all occupied their own space without being buried under one another. It’s one of those deceptively simple aspects of musical reproduction that sometimes you don’t even notice until it’s wrong.
These speakers always present a lack of blur in musical transients and high frequency decay. Cymbals and percussion sound natural, along with stringed instruments. Some of the metal cabinet speakers auditioned here have exhibited a great sense of dynamic energy yet impart their own sense of tonality to the music being presented. The PlatiMon speakers do not fall victim to this. Listening to them for days on end is an exceptionally pleasant experience. So much so, that I did purchase the review samples to use as an ongoing reference.
WORLD’S BEST STEREO SYSTEM? STEINWAY
April 27, 2024 Comments Off on WORLD’S BEST STEREO SYSTEM? STEINWAY
Luxman PD-191A Turntable Review
April 26, 2024 Comments Off on Luxman PD-191A Turntable Review
https://www.hifinews.com/content/luxman-pd-191a-turntable
Where it became interesting was in comparing two pressing types, which I had never actually bothered to do before. Such was the openness, transparency and detail retrieval afforded by this flagship Luxman deck that I figured I would compare the new, clear pressing with my black vinyl originals. The validity of this test is questionable as I am sure the new release has been remastered, while the original came from younger master tapes.
Still, what intrigued me was a question that some hardcore vinyl addicts love to debate: is black vinyl better than clear, as its carbon component serves as a lubricant, even though transparent vinyl is the material’s natural state? I had three black vinyl versions of Swan Song dating back to 1974 as well as the new pressing, and while I couldn’t arrive at an answer to the black/clear conundrum all sounded unalike thanks to the PD-191A deftly exposing their differences.
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