Revel Ultima Rhythm2 powered subwoofer $10,000 Review

February 15, 2015 Comments Off on Revel Ultima Rhythm2 powered subwoofer $10,000 Review

http://goo.gl/EdvmTA Read here

” Over the next two months, I listened to many recordings of singers, pipe organs, and film soundtracks. I began by reducing the Ultima Rhythm2’s output by 2dB, to –21dB because I didn’t want to lose the inherent bass power and extension of the Ultima Salon2s.”

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Emotiva XPA-1L Class A/Class AB Monoblock Amplifier Review

February 15, 2015 Comments Off on Emotiva XPA-1L Class A/Class AB Monoblock Amplifier Review

http://goo.gl/ihwLEW Read Here

“I was so put off by the initial manufacturing quality of these amps that I refrained from writing this final review on them for several months to see if any further issues would arise. I therefore think it’s very fair to say that I got a solid feel for these amplifiers. I played them almost every single day with every genre of music imaginable: rock, jazz, pop, classical, theatrical scores, holiday music, acoustic, etc. I’ll highlight some specific tracks from my months of listening:”

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B.M.C. AUDIO CS2 INTEGRATED AMPLIFIER REVIEW

February 15, 2015 Comments Off on B.M.C. AUDIO CS2 INTEGRATED AMPLIFIER REVIEW

http://goo.gl/ED78aS Read Here

“You don’t focus on the ephemera here. You aren’t listening for the detail or defining the soundstage. You are listening to music, as a complete and contiguous whole. It’s like it manages to combine the grace of a good valve amp with the power of good solid state.”

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Auralic Aries Review

February 15, 2015 Comments Off on Auralic Aries Review

http://goo.gl/AQVqjA Read Here

” Sonically the Auralic Aries is a superstar. It has all the features one wants and it manages to perform among the best source components I’ve heard. Whether streaming from Tidal HiFi, my local network, or directly from a USB stick the sound of Aries was consistent throughout the review period”

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Celsus Sound Announces Companion One – Review

February 15, 2015 Comments Off on Celsus Sound Announces Companion One – Review

http://goo.gl/7Pjqoo Read Here

” The mission and purpose of Celsus Sound is the production of superior portable audio products for discerning music lovers. The brainchild of Jason Lim, a NuForce co-founder and former CEO, Celsus Sound sets quality above all else. Each Celsus Sound device is to be cherished for its build quality, unique features and exemplary performance.”

Objective 2 Headphone Amp – Video

February 15, 2015 Comments Off on Objective 2 Headphone Amp – Video

Sennheiser HDVD 800 High Fidelity Headphone Amplifier Review – Video

February 15, 2015 Comments Off on Sennheiser HDVD 800 High Fidelity Headphone Amplifier Review – Video

ACCUSTIC ARTS REFERENCE HYBRID TUBE PREAMPLIFIER II MK II $10,750 AND MONO II MONOBLOCK AMP $19,900 REVIEW

February 14, 2015 Comments Off on ACCUSTIC ARTS REFERENCE HYBRID TUBE PREAMPLIFIER II MK II $10,750 AND MONO II MONOBLOCK AMP $19,900 REVIEW

http://goo.gl/lzqvcD Read Here

” On both digital and vinyl I was impressed by the preamp and amp’s silky midrange and the wealth of detail they produced. Mated together, they definitely supply a sound that lands firmly on the tube side of the sonic spectrum. The preamp is a balanced hybrid design that takes several minutes to warm up?

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Adcom GIA-275 Integrated Audio Multimedia

February 14, 2015 Comments Off on Adcom GIA-275 Integrated Audio Multimedia

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“The Adcom GIA-275 Integrated Audio Multimedia ($1199) wraps up an 80 watts/channel into 8 ohms integrated amp, a 24/192 and DSD-capable Wolfson DAC, headphone amp, Bluetooth (A2DP and aptX), digital (USB, 2x Coax S/PDIF and 2x Toslink) and analog RCA inputs into one fairly tiny (9.75″ x 9″ x 3.5″) black box”

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FLARE AUDIO REFERENCE R1 REVIEW

February 14, 2015 Comments Off on FLARE AUDIO REFERENCE R1 REVIEW

http://goo.gl/AjJhaz Read Here

” The R1 and a few Electrostatics handle treble a bit differently, in that they are not so easy for your ears to accurately spot the location of where the treble instance ends. This lack of the user’s ability to sense where that sonic cue ends will provide a tasty, effortless and buttery smooth tone, highly relaxing and something you aren’t at all likely to wince at during high hats, screaming guitars or sudden peaky, treble inside your track.”

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