Audiophilepure

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” mall footnote: Upon first setup, I’d gone with the -2dB treble contour to be happy. A few days later, I investigated the horn’s time alignment which after all is adjustable with that movable sled. This option predominantly affected the stage’s depth illumination and outline sharpness aka the plasticity of individual sounds. But it also pooled into my perception of relative treble strength. One can dial the horn for ‘hyper crisp’. And at first that was me. That extreme focus was impressive just then. After a bit though it began to wear and to feel like an image that’s been photoshopped for extra sharpness, with that unnatural edge pixilation as a result. Exactly that disappeared when the time alignment locked in properly. Think rounder edging which was more natural than the laser-cut bits. This also benefited the illusion of three-dimensional voices and instruments. Where I was really going with this is that the scalpel-crisp version also was tonally brighter. I thus recommend to spend some time on this time alignment whilst paying particular attention to focus, definition and spatial illumination. When those values fit, the last thing to trim is the perfection of the tonal balance.”