Woo Audio WA5 Review
July 1, 2015 Comments Off on Woo Audio WA5 Review
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“Another huge contrast between speakers and headphones is the displaying of depth in the soundstage. The HD800 is an amazing headphone in terms of soundstage size but with the WA5 and Éist Audio Dubhs there was an extra dimension from the centre to the back of the soundstage.”
Parasound Halo Integrated amplifier Review
July 1, 2015 Comments Off on Parasound Halo Integrated amplifier Review
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” The Halo Integrated amp’s power advantage over the excellent Vinnie Rossi LIO integrated amp with Magnepan .7 speakers was readily apparent, even when I wasn’t playing loud music. Dynamic punch and low-end impact improved, though the LIO was more transparent and clear sounding. ”
EarSonics Velvet In-Ear Earphone Review
July 1, 2015 Comments Off on EarSonics Velvet In-Ear Earphone Review
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”
The deep, impactful bass and good end-to-end presence of the Velvet benefit its presentation. The soundstage doesn’t have the sheer width of earphones with more laid-back mids (like the DN-2000 and FLC8), but it ends up sounding well-layered and versatile. Compared, for instance, to the rather flat StageDiver SD-2, the Velvet does sound more lively and dynamic by a margin. There are earphones that have all that plus a wider soundstage, but they are few and far between – the only one that currently comes to mind is the FitEar TG334.”
Gryphon Audio Pendragon speakers – Video
July 1, 2015 Comments Off on Gryphon Audio Pendragon speakers – Video
Unity Audio The Rock Hifi £3,540 Review
July 1, 2015 Comments Off on Unity Audio The Rock Hifi £3,540 Review
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” The benefit of the sealed enclosure is that the influence of the back wall is less than with a reflex enclosure. A grand piano in a concert hall, the one recorded in Köln with Keith Jarrett playing (The Köln Concert), would benefit from more low end though. My 32m2 room is normally home to large transmission line speakers so as you can imagine a monitor, not even an active one like the Unity, will do the same job. Apart from that deep, deep low end the piano sounds amazingly clear, detailed and most of all natural. Keith’s ‘singing’ is clear when he hits the keys hard as well. ”




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