Audiophilepure

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“These qualities are apparent with everything you play but if there’s a voice in the mix the transparency of that midrange dome lets you know just what it’s feeling and how it’s being articulated. This is true of Adele, Joni Mitchell, John Lurie and well, everyone else I played. Some have been recorded better than others of course and that is not down played, you get big differences between recordings, Ryan Adams’s Gold on DSD is in the room real while a live recording of the same artist puts him in the venue where some canny German managed to get such a great sound. But you know it’s him and you know what he’s saying. I particularly like the way that the twenty.26 is so revealing in the context of an effortless presentation. You get a lot of slightly bright speakers that deliver oodles of detail but the balance gets in the way of the music. That is not the case here, this speaker is a slave to the signal, the better that signal is the better they sound.”