WELLS AUDIO HEADTRIP II HEADPHONE AMPLIFIER $7,000 REVIEW
May 13, 2019 Comments Off on WELLS AUDIO HEADTRIP II HEADPHONE AMPLIFIER $7,000 REVIEW
“The original Headtrip had two blue LED’s by the Right and Left outputs to indicate power was on. A few clients complained that the lights were bright and distracting so they were removed and replaced with a green lit power button that is more subtle but still indicates the unit is on. The original had dual 3-pin XLR’s for balanced out while the new version has one 4-pin balanced XLR output. What has not changed is the units power output of 50 WPC at 8 Ohms, 25 WPC at 32 Ohms and 1.8 WPC at 600 Ohms. It is a powerful amplifier and yet in listening to it, you discover a vanishingly low noise floor. The Headtrip II also has the ability to display all the nuances of the recording including the most subtle and delicate passages and details. No matter what headphones you own, the Headtrip II will drive them with aplomb.”


IBASSO DX220 $899 REVIEW
May 13, 2019 Comments Off on IBASSO DX220 $899 REVIEW
“The DX200/AMP1 sound has this slight bloom of warmth in the lower mids, nothing extreme but enough to create a little softness in the tone of the DX200. The DX220 timbre is more neutral to my ear, not as soft and not as warm but nothing I would describe as overly analytical or cold sounding.
The control on the treble presence on the AMP1 MK2 is excellent and partly why the DX220 sounds a little more neutral in timbre compared to the AMP1 first gen. It injects a little more odd-harmonic presence in the DX220 instrumental and vocal timbre so notes sound a touch cleaner and more articulate.
The accuracy and details levels seem to have gone up a notch even if the overall lower-midrange instrumental body drops down marginally.”

Metaxas and Sins Worldwide premiere of T-REX
May 13, 2019 Comments Off on Metaxas and Sins Worldwide premiere of T-REX
Revel Performa F228Be Loudspeaker £10,000 Review
May 11, 2019 Comments Off on Revel Performa F228Be Loudspeaker £10,000 Review
“Let the Revels begin: these wonderfully enjoyable speakers are able to conjure realistic scale and impact while conveying all the detail and flow of whatever’s being played. With effortless dynamics, fine integration and the ability to create excellent 3D soundstage images, they deserve very serious auditioning if you’re in the market at this level – and show a clean pair of heels to some more expensive rivals, too. ”

A Measured Approach to Room Acoustics
May 11, 2019 Comments Off on A Measured Approach to Room Acoustics
“I also chose a couple of inexpensive off-the-shelf products for the new room. In the front corners I installed two Auralex SonoLite bass traps (24”W x 24”H x 3”D), which have a noise-reduction coefficient (NCR) rating of 1.15. I know I’ll likely need larger bass traps for lower frequencies, but this pair of SonoLites would give me a start — and anyway, from there I’d want measurements to guide my choices of any additional bass treatments. For the shallow sidewalls, I bought four RoomSonic wall panels, each 48”H x 24”W x 1”D, faced with fabric and comprised of mineral wool. This type of product is a classic choice for broadband absorption, and looks great to boot.”

FIIO M9 DAP REVIEW
May 10, 2019 Comments Off on FIIO M9 DAP REVIEW
“Using FiiO Link is easy and FiiO is promising even more integrated support. To start, make sure your smartphone has FiiO Music installed and the Bluetooth is enabled. Then on the M9 or other FiiO link supported device, enable Bluetooth and hit the switch on “Bluetooth decoding amp mode” and then turn Bluetooth on again. Open the FiiO Music app, hit the gears Settings icon and enable FiiO Link. Then on the smartphone’s FiiO Music app, also go down to FiiO Link, enable that and hit Client. And you’re good to go. This needs to be done every single time and so is painful at the moment but FiiO says they are working on making it more seamless. The experience of using FiiO Link with the M9 DAP is mind-boggling with it still in a beta phase. It feels like you are untethered from having the headphone wire going to your device as you go to change your song since you are now using your DAP remotely. The speed is great and delays are rare. You can effectively do almost all the functions of the M9 as you would normally using the app, from searching for songs, browsing your playlist, changing the volume and even favoriting. Album art gets downloaded only when you click into the song and what is shown is lower quality to save on size of caching, but is good enough as is.”

Clearaudio Innovation Basic Turntable | Review
May 10, 2019 Comments Off on Clearaudio Innovation Basic Turntable | Review
“Earlier in the week, I had matched levels between The Clearaudio + TRACER + Hana ML + D’Agostino Momentum Phono vs. my dCS Vivaldi Digital stack. So I decided to have some fun and listen to Mercy Street on a Vinyl LP vs. Mercy Street in DSD.
I started the track on both devices simultaneously and switched back and forth. Sure there were differences (some LP noise for example), but in general I didn’t prefer one over the other. YES, I usually prefer the AMG Viella V12 over the dCS for a lot of content, but in this case the Clearaudio + D’Agostino Momentum was just as enjoyable as listening to that track on the gold standard dCS Vivaldi.”

Cube Nenuphar single driver speakers
May 10, 2019 Comments Off on Cube Nenuphar single driver speakers
Paradigm 200B Small Monitor Speaker $1000 Review
May 9, 2019 Comments Off on Paradigm 200B Small Monitor Speaker $1000 Review
”
This seemed a little odd to me because, in my previous history with Paradigm monitors, they had an outstanding bottom end. Because I was somewhat perplexed, I moved to a different style of music, putting on Bob Marley’s Exodus, which is somewhat defined by the bass line. Once again, things just didn’t seem right.
After running through a variety of music I pushed the speaker back a little closer to the back wall in an attempt to boost up the bottom end. Although the bottom end was slightly better, the image stayed solid, so I kept them closer to the wall for the majority of my time with the Paradigms.”

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