ASUS high-end smartphone DTS:X Ultra Audio

June 8, 2019 Comments Off on ASUS high-end smartphone DTS:X Ultra Audio

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“Post-processing audio algorithms for speakers and headphones have also been redesigned for the Zenfone 6 to provide enhanced bass response, an “ultra-realistic” head tracker, and custom audio tuning for up to six pre-loaded headphone profiles, DTS said.

“Consumers choose smartphones based on their features and performance capabilities,” said Sumat Mehra, senior vice president and general manager, mobile at DTS parent company Xperi. “DTS:X Ultra technology enhances smartphone-based audio content, delivering a truly premium entertainment experience.”

DTS:X Ultra is also included in the gaming-focused ROG (Republic of Gamers) phone ASUS introduced last fall. DTS says the technology gives gamers a competitive edge by delivering “console-quality” audio on a mobile phone through both headphones and speakers”
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Magico A3 speakers $12.000 review

June 8, 2019 Comments Off on Magico A3 speakers $12.000 review

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“This is also one of the Magico A3’s main advantages. With the most advanced technology in an era of proficient speaker manufacturing, Magico is capable of creating a speaker with the least amount of colouration; they impose no sonic signature of their own.

The Magico A3s are capable of portraying all kinds of music from various genres in their purest form. It delivers to the listener all the emotional triggers which are hidden within the compositions. This is only possible when the music’s message is being transmitted in an unaltered way. ”

Audio Technica ATH-L5000 Review Limited Edition $7000 AUD

June 8, 2019 Comments Off on Audio Technica ATH-L5000 Review Limited Edition $7000 AUD

Naim DAC-V1 Review

June 7, 2019 Comments Off on Naim DAC-V1 Review

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“On the 24/96 Qobuz version of Kenyan-born J.S. Ondara’s Tales Of America the V1’s genealogical timing shone through with musical, yet metronomic precision in the drum work of Griffin Goldsmith and the basslines of Sebastian Steinberg and Jon Flower. The timbral bloom off Gabe Noel’s and Evgeny Tonkha’s cellos had the Naim not only capture the dimensional cues of their bow and fret work, it allowed for a constant demonstration of the DAC’s textural retrieval qualifications as well. Ondara’s voice, with all its comparisons to that of Tracy Chapman, shines through on its own merit via the V1 with the subtle – of what I can only assume are Nairobi – inflections of his birth place flavoring his lyrics on acoustically-dense tracks like “American Dream” and the a cappella “Turkish Bandana,” which is resonant with spatial reflections loaded back onto his voice beautifully capturing the studio space of the recording.”

Chord Electronics Hugo M Scaler Review

June 7, 2019 Comments Off on Chord Electronics Hugo M Scaler Review

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Moreover, you could get a much better tone and timbre when you power a Chromecast Audio (now discontinued) via a battery and connect it to the Hugo M Scaler. There’s something so beautiful about saying “Hey Google, play Spotify on M Scaler.”Using the Chromecast Audio on the Hugo M Scaler made me realize the importance of having a higher quality streamer and server such as the Innuos ZENith Mk.II. That’s where you’ll lower noise floor, bring out the details, and mold out the music in a more convincing way.”

Da Vinci Audio In UniSon turntable

June 7, 2019 Comments Off on Da Vinci Audio In UniSon turntable

Novafidelity X14 Review

June 6, 2019 Comments Off on Novafidelity X14 Review

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“Connecting to the 3.5mm headphone socket, the X14 starts out respectably with Nils Frahm’s Sunson – a 16/44.1 stream via Qobuz once again – but as the track continues it lacks some control as the headphone stage appears to be trying to manage too many elements and struggles to drive the Grado SR125 headphone (HFC 389) as effectively.

Conclusion
The X14 has to be praised for the degree of functionality it manages to squeeze into such a compact and elegant chassis. Its well thought out and practical approach will see it attract those looking to take the first steps into network audio, and it makes a great starter or second-room music hub that’s easy to enjoy. LD ”

Audio Hungary Qualiton A50i Integrated Amplifier Review

June 6, 2019 Comments Off on Audio Hungary Qualiton A50i Integrated Amplifier Review

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“To put the Qualiton A50i to the test in more of a brute-force way, I cued up “Back in Black” from AC/DC’s album of the same name. While some would argue that tube amps are for more refined music, my tastes are broad, and I never know what the mood brings, so any amplifier in my system needs to stand up to whatever the occasion brings.

Thankfully, the A50i delivered. The amp maintained the grit and energy of Brian Johnson’s raspy voice, and struggled not in the slightest with the song’s driving bass. There was no indication of distortion, but I did notice some loss of energy at the very bottom end, which had more to do with the QLN Signature 3’s 42Hz low frequency response, not the A50i’s 30Hz -3dB point.”

Bose Earbuds 500 true wireless headphones

June 6, 2019 Comments Off on Bose Earbuds 500 true wireless headphones

Balanced Audio Technology VK-56SE power amplifier $8495 Review

June 5, 2019 Comments Off on Balanced Audio Technology VK-56SE power amplifier $8495 Review

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“The BAT VK-56SE had a fine talent for pumping bass out of Harbeth’s M30.2s, but no one would mistake it for a solid-state amp. With the M30.2s, the VK-56SE’s midrange was exceedingly lush and overtly textured. But with Harbeth’s smaller P3ESR speakers it sounded distinctly not lush. Driving the mini-Harbeths, the BAT sounded more precisely focused, more like solid-state. Consequently, it made the P3ESRs “disappear” even more than they usually do. Björk’s Gling-Gló was depicted with a surprising, bright clarity and a breathy, wide-open effortlessness. The soundstage was big in every direction. Björk was now better described and easier to “see.” I noticed less electronic-ness in the space between her and her voice mike. In my room, the BAT amp sounded its absolute best with the little Harbeth P3ESRs. But . . .

When I removed the VK-56SE and connected the P3ESRs to First Watt’s astute, 25Wpc SIT-3 solid-state amplifier ($4000), which I reviewed in February 2019, I noticed, first, a slight loss in apparent woofer grip, which I perceived as a reduction in image contrast. Punch and drive were also reduced. However, these losses were accompanied by a radical increase in the density of small-scale information. The SIT-3 made trumpets, drums, guitars, and human voices sound more complex—more fully expressed, and microscopically textured. Both amplifiers sounded extremely good with the extremely good Harbeth P3ESRs, but I think I favored the BAT’s extra oomph and push.

 

 

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