CanJam NYC 2020

February 15, 2020 Comments Off on CanJam NYC 2020

Master and Dynamic MW07+ True Wireless Earphone – REVIEW

February 14, 2020 Comments Off on Master and Dynamic MW07+ True Wireless Earphone – REVIEW

Aurender A30 Music Server | Review

February 14, 2020 Comments Off on Aurender A30 Music Server | Review

https://parttimeaudiophile.com/2019/12/15/aurender-a30-music-server-review/

t is hard to not love the A30. The sound is reference-quality. The build is reference-quality. In fact, the A30 invites you to spend more on the rest of your system just to keep up with it. Given that you’ll be able to consolidate a preamp, a DAC, and a computer server all at one fell swoop, you might find that the A30 actually saves you money even as it ups your game. Now there’s a weird thought.

The A30 can centralize and orchestrate your disparate musical world – from local files to NAS files, to streaming services. And this one-box solution from Aurender will not only seriously improve your audio system’s performance, it will also do that one thing that technology is supposed to do – it will simplify your life.

Denon DP-450USB Turntable Review

February 14, 2020 Comments Off on Denon DP-450USB Turntable Review

https://hometheaterreview.com/denon-dp-450usb-turntable-reviewed/

“The Denon DP-450USB is a curious turntable, all things considered. It’s gorgeous to look at, easy to use, and has enough of the right features, making it a legit contender at its price point. But, the DP-400 at $499 is likely the better value among the two, since the DP-450USB’s distinguishing feature–USB audio recording–is a non-starter for me due in large part to its poor quality and limited utility.

Moreover, the dust cover is more of a nuisance than an asset, making an otherwise well-thought-out design suddenly clunky  The DP-450USB is still worthy of consideration, though, but it’s not without a great deal of competition, which is why I would urge anyone reading this to listen to one for themselves if possible before making any final purchasing decisions.”

Schiit Audio Ragnarok 2 integrated amplifier $1799 Review

February 13, 2020 Comments Off on Schiit Audio Ragnarok 2 integrated amplifier $1799 Review

https://www.stereophile.com/content/schiit-audio-ragnarok-2-integrated-amplifier

“I compared Ragnarok 2 to the Ragnarok using these XRCDs and the Tascam CD-200iL CD player connected with Triode Wire Labs Spirit II RCA interconnects. Only after switching out the amps four times did I start to understand what I was hearing. Instrument tone and impact were superior through the new amplifier. The orchestra’s soundstage was slightly wider. Brass and reeds, placed hard left and right, sounded farther back on the soundstage. On the piano/ acoustic bass introduction of the Montgomery Brothers’ “Bock to Bock (Back to Back),” there was more air around the higher piano notes. These were small differences, but the Rag 2 definitively improves on its sibling’s performance.”

McIntosh MCD600 SACD/CD Player Review

February 13, 2020 Comments Off on McIntosh MCD600 SACD/CD Player Review

“As I mentioned, I’ve been using the same CD player as a reference for the last nine or ten years. It has dual DACs, and a quartet of 12AU7s in the output stage. It sounds really good, and that was all I needed back in 2010. It cost about $4500, and I always thought it was a good value and a strong performer, which is why I still use it.

The MCD600 is $7000, and in 2020 that sounds like a lot of money for a CD player. For that extra $2500 over my existing deck, you do a get a lot—especially when you consider the cost of an outboard headphone amp that sounds this good, or four separate high-resolution DACs, or the choice of fixed and variable outputs, or the ability to play USB thumb drives or DVD data discs.”

AT-LP120 vs SL-1200 Comparison

February 13, 2020 Comments Off on AT-LP120 vs SL-1200 Comparison

STAX SR-009S ELECTROSTATIC EARSPEAKERS $4,325 Review

February 12, 2020 Comments Off on STAX SR-009S ELECTROSTATIC EARSPEAKERS $4,325 Review

http://www.hifiplus.com/articles/stax-sr-009s-electrostatic-earspeakers/

Next, the SR-009S proved to have greater transient agility and increased levels of dynamic expression relative to the SR-009. A track that showcases these qualities is ‘Stank” from Jamey Haddad, Mark Sherman, and Lenny White’s Explorations in Space and Time [Chesky, 24/96]. ‘Stank’ is a percussion extravaganza—at times delicate, but at other moments explosive, employing everything from high-pitched chimes and cymbals to low-pitched bass drums. The SR-009S navigated the track’s complex instrumentation and multi-layered dynamic challenges with effortless clarity and a sense of dynamic brio—as if relishing the chance to strut its stuff.

Finally, the SR-009S offers superior bass performance to the SR-009, both in terms of resolution and dynamic wallop. The ‘Lopsy Lu/Silly Putty’ medley from S.M.V.’s Thunder [Heads Up, 16/44.1] made this abundantly clear, as master bassists Stanley Clarke, Marcus Miller, and Victor Wooten took turns showing off their chops and the distinctive voices of their basses. Thunder is a serious low-frequency challenge, but the SR-009S tackled the track with an exuberant quality of dynamic swagger and punch the SR-009 could not have matched.”

Focal Chora 826 Three-Way Floorstanding Loudspeaker Review

February 12, 2020 Comments Off on Focal Chora 826 Three-Way Floorstanding Loudspeaker Review

https://hometheaterreview.com/focal-chora-826-three-way-floorstanding-loudspeaker-reviewed/

“Each Chora 826 sports one pair of binding posts, so bi-wiring isn’t accommodated. Overall, I really love the quality of the binding posts, as they’re easy to loosen and tighten and look quite lovely. If I have one concern, it’s that tightly fitted black and red caps will need to be removed if you intend to use banana plugs (as I always do), and these caps do put up a good bit of a fight. I had to end up resorting to needle-nosed pliers to extract them, and it felt a bit like pulling a tooth. By the time I had them out, the caps were more than a bit mangled.

From there, though, setup is a breeze. Due to the front-ported design of the speaker, you don’t have to be quite as concerned with distance from rear boundaries. In my relatively small two-channel listening room, this is a blessing. Being able to position a pair of speakers six inches from the wall rather than eighteen definitely leaves me with more breathing room and affords a wider soundstage, since there’s more distance between me and the speakers.”

Fluance RT85 Reference Turntable Review

February 12, 2020 Comments Off on Fluance RT85 Reference Turntable Review

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