CHORD ELECTRONICS HUEI PHONOSTAGE £990 REVIEW

August 2, 2020 Comments Off on CHORD ELECTRONICS HUEI PHONOSTAGE £990 REVIEW

Read Here

“The Huei is not without criticism, but the criticism is functionality-led rather than performance-led. The polychromatic colour-coded controls are a clear indicator of set-up but do require a look-up table to determine precisely what ‘orange’ denotes in terms of loading. Also, even though they can be dimmed, this means the often fit-and-forget phono stage is potentially the most illuminated and colourful part of a whole system. Finally, there’s the power supply. In fact, Huei has a secondary switching power supply internally to create the operating voltages from the external supply, so whether you use linear or switch mode external it doesn’t matter; although changing the power supply will void the warranty! Not many people realise, and it’s not clear anywhere, really, that the main power supply is inside the unit and Chord just uses the external brick to feed ‘raw’ power into the product; the external power supply doesn’t directly power any of the audio electronics. However, the fact remains that audiophiles are allergic to ‘wall-warts’ and I hope this doesn’t put people off what is a stunning phono stage.”

SHANLING ME700 $549 REVIEW

August 2, 2020 Comments Off on SHANLING ME700 $549 REVIEW

Read Here

:
“The mids on ME700 transition smoothly into the treble range, which is mild, very rounded, and controlled without any harshness. Sibilant tones are well pressed down, but there is still some energy in it to brighten up the treble a bit for clarity, making the overall tuning slightly v-shaped.

With some higher-pitched vocals, you may feel some depression and dampenings with higher notes. This is the downside for those who like bright and clean upper mids and treble. I recommend listening to thicker, darker male vocals or very high pitched clean female singers, nothing with a fast BPM too.”

UHA Tape Deck

August 2, 2020 Comments Off on UHA Tape Deck

D’Agostino Relentless Mono Power Amplifier Review

August 1, 2020 Comments Off on D’Agostino Relentless Mono Power Amplifier Review

Reed Here

“Dan has been threatening to produce a true, no-limits amplifier for as long as I have known him. This is it. What I heard the Relentless amps do was – without any notion of hyperbole – demonstrate what sound without power limitations can be. This is not to suggest for a moment that one cannot live with less; neither is it to insinuate that there are no other systems so blissfully free of constraint. That said, they are few in number, and must be built around the most sensitive of speakers. The Relentless needs no such accommodation.”

PrimaLuna EVO 100 Tube DAC USB Tube DAC Review

August 1, 2020 Comments Off on PrimaLuna EVO 100 Tube DAC USB Tube DAC Review

Read Here

“Turning to wolfgang.com’s vast selection of rare live gigs, I selected Warren Zevon in 1982 in Boston, for his rousing ‘Werewolves Of London’ at 48kHz. It proved massive in scale and sounding as it should: as if played via FM radio. Switching on Fidelia, I listened to the EVO 100 at 192kHz with a download of BB King’s ‘Sneakin’ Around’, a mono session of dubious sonic merit but musically a gem. I played it against the original LP, The Great BB King [United Records 728] and it was a dead ringer. I want an EVO 100.”

Where Am I?

You are currently viewing the archives for August, 2020 at Audiophilepure.