Audiophilepure

http://www.theaudiobeat.com/equipment/wadax_atlantis_reference.htm

In playing these three, very different renditions, the system’s ability to capture not just the notes, their amplitude and pitch, attack and sustain, but also the gaps the player leaves between them, is paramount. Such is the temporal precision of the Wadax Reference, the clarity with which it places and spaces notes, that the yawning chasm in the expressive range that separates Uchida’s sensitive, exquisitely weighted and deeply emotive performance, from the smooth color-scape of Perahia or Lisiecki’s fireworks displays, matches the artistic separation you experience hearing these performers live, reflecting both personal preference and who you’d choose — or pay good money — to see and hear in concert. Do we really need another set of Beethoven Piano Concertos? When the performance delivers such depth of musical and emotional insight — and when we have replay systems capable of revealing that insight — then the answer is definitely “Yes.” Hearing Uchida playing these familiar pieces through the Wadax Atlantis Reference Transport and Reference DAC is an experience that not only shows them in a new light, but engages you with the full power and emotional range of those original performances. The overall temporal, dynamic and musical coherence of the musIC process has always brought impressive communicative qualities to the Wadax products. But combine it with the black silence, dynamic potential, tonal range and absolute stability of the Reference DAC’s operating environment and you have the basis for natural musical reproduction that is, in audio terms, unprecedented — something that moves us demonstrably closer to the original event.