Audiophilepure

https://www.stereophile.com/content/tad-ce1tx-loudspeaker

My definition of the word “best,” as applied to audiophile speakers, would include expressions like “extremely well-sorted” and “exposes everything” and “flawless tone.” This thought struck me now because exactly these words passed through my head over and over during the hundreds of hours I spent listening with the TAD CE1TX’s. These luxuriously appointed standmounts specialize in converting tiny signal currents into moving air with atomic-clock precision—all by itself, a captivating phenomenon to witness. But what elevated these new TADs to a level of performance I’ve rarely experienced from any speakers, anywhere, at any price is the coexistence of that atomic-clock precision with an innate ability to present instruments and voices in a most agreeable, seductive manner.

https://www.hifinews.com/content/ps-audio-aspen-fr20-loudspeaker

The industrial design is by Canadian-based Studio 63, which also penned the FR30. In this case the main enclosure is a one-piece design, with none of the adjustability of the two-piece FR30, and is built from heavily-braced MDF finished with 20 coats of hand-rubbed piano-grade lacquer. There’s a choice of Pearl White or Sable Black finishes, incidentally. The planar magnetic tweeter is attached to the rear of the thermoset resin front baffle, the latter with a shaped waveguide to control the dispersion of the midrange driver mounted, like the woofers, to the main structure.

Separate magnetically-attached grilles are provided for the top and bottom portions of the cabinet, as illustrated in our pictures, while the substantial alloy base comes with a set of adjustable milled brass feet. These include detachable spike tips and plastic inserts for use on hard surfaces, plus a set of sliders for ease of movement while the speakers are being set up. PS Audio provides a set of nifty Allen keys for adjustment in addition to a set of jumpers for single-wiring the bi-wire terminals on the rear of the speakers.