Audiophilepure

https://www.stereophile.com/content/harbeth-super-hl5plus-xd-loudspeaker

The SHL5plus XD may, as Shaw said, be tuned to modern tastes interested in a wider range of music, but I found it less than ideal for rock. It’s hard to explain. They worked extremely well with electronic music (like Fuse, the new album by Everything But the Girl) and the rowdier tracks listed in my listening notes above. They’re tailor-made for well-recorded classical with its grandeur, spaciousness, and separation, and I very much enjoyed jazz through these Harbeths, especially female vocals. But when I played anything that required major boogie factor—ZZ Top, Led Zeppelin, Mastodon—I found I wasn’t satisfied. They seemed to lack the drive needed to fill my small room with convincing rebel sounds

https://www.hifinews.com/content/martinlogan-motion-xt-f200-loudspeaker

With its sizeable heavyweight cabinet, five-strong driver complement and striking looks, the F200 clearly offers plenty of bang for your buck. Mirroring this is a performance that really comes alive with dynamic, bass-rich music, but one that’s equally adept at extracting fine detail when you switch tempo. Feed MartinLogan’s floorstander plenty of power, and you’re ready to sit back and enjoy the show.

With their high style and wonderful sonic performance, I was very impressed with the MartinLogan XT F100 towers and highly recommend them to anyone that is ready to take their music experience to the next level without sacrificing their kid’s college tuition.

It is not hyperbole to say that companies that make speakers that cost more than an automobile should be concerned that MartinLogan had designed a speaker that is sonically excellent yet costs thousands of dollars less. I know a few $10K pairs of speakers that don’t perform as well as the XT F100s. These speakers are an amazing bargain from a cost/performance ratio. I loved them. Highly recommended.