Phillips Design OH-16 Omnidirectional Loudspeaker $8,800 Review

February 22, 2024 Comments Off on Phillips Design OH-16 Omnidirectional Loudspeaker $8,800 Review

https://www.enjoythemusic.com/magazine/equipment/0224/Phillips_Design_OH16_Omnidirectional_Loudspeaker_Review.htm


The intimacy of a musical performance is what we all strive to reproduce. The feeling of “being there” without putting up with the sky-high ticket prices, parking, and crowds. We all want to have Pink, singing in our Audio Room (but that’s probably not going to happen). The best we can do is to take the time (and what’s left of our savings) and assemble a sound system; that reproduces our music of choice, to the best of its capabilities.

With just hours to spare, the Phillips Design OH-16 omnidirectional three-way loudspeakers could do just that. They reproduce music with such a wide dynamic range that you would assume they stood six feet tall. They reproduce vocals with such detail and clarity, and in fact, you’d assume they cost twice as much. With the Bryston amplifier, the bass was present and properly forward and strong. Nice, tight, fast responsive bass.

Cambridge Audio CXN100 Network Streamer

February 22, 2024 Comments Off on Cambridge Audio CXN100 Network Streamer

JBL C60

February 22, 2024 Comments Off on JBL C60

Matrix Audio Element X2 Pure Network-Attached DAC Review

February 21, 2024 Comments Off on Matrix Audio Element X2 Pure Network-Attached DAC Review

https://www.hifinews.com/content/matrix-audio-element-x2-pure-network-attached-dac

As a networked DAC/preamp, there are various ways to use the Element X2 Pure, but for much of my listening I ran it straight into the aforementioned Primare A35.2 power amp, streaming via Roon. This made for a fuss-free, clutter-free system and long, jukebox-style listening sessions where the DAC’s defined, open sound appeared suited to every flavour of music.

The genre-hopping exuberance of Amadou & Mariam’s Dimanche À Bamako album [Because Music; 44.1kHz/16-bit], where African, Middle Eastern and Western instruments bubble away in a blues/reggae-tinged melting pot, spotlighted the Element X2 Pure’s ability to capture timbral differences and microdynamics. The grooving gait and vocal presence of ‘Senegal Fast Food’ was so enjoyable I tried to sing along – despite not understanding the French lyrics

Trafomatic Rhapsody Integrated Amplifier Review

February 21, 2024 Comments Off on Trafomatic Rhapsody Integrated Amplifier Review

https://www.hifinews.com/content/trafomatic-rhapsody-integrated-amplifier

Trafomatic’s Rhapsody ensured that I wallowed in the room-filling, full-blown orchestral readings of ‘White Christmas’, ‘Sleigh Ride’ and ‘Santa Claus Is Coming To Town’, some wholly (or holy) instrumental, others with multiple voices to the fore. What was not compromised, despite the Rhapsody amplifier eschewing lushness for the sake of it, was that silky sheen which endears SET designs to the faithful. The best way to describe it is an inherent antidote to listener fatigue.

If there is any limit to this amplifier’s sheer command, it might prove to be the wattage, but that only affects your choice of loudspeaker. When paired with high-sensitivity models, the Trafomatic Rhapsody earns the most glowing testimony I can bestow on a product by simply stating one fact: my first listening session ran for seven uninterrupted hours. Yes, seven. The only downside? Looking at the smart meter in my listening room.

AvantGarde

February 21, 2024 Comments Off on AvantGarde

YG Acoustics Tor Stand-mount Speakers with Descent Subwoofer$10,500 Review

February 20, 2024 Comments Off on YG Acoustics Tor Stand-mount Speakers with Descent Subwoofer$10,500 Review

This is about as minimum of a control scheme as I have ever seen in a subwoofer. No separate crossover frequency, roll-off slope, or phase adjustment is available. In a limited fashion, the crossover frequency and roll-off slope adjustments are essentially built-in to the preset modes. In my opinion, by trading off control flexibility for ease of use, the potential use for the Descent subwoofer becomes restricted. Although the manual states that the Descent subwoofer can augment speakers from other manufacturers, the lack of flexible control adjustments suggests that this subwoofer is designed specifically to complement the speakers from the YG’s own Peaks series. Although I did not experience any difficulty in integrating the Descent with the Tor, I still personally would prefer to see more control flexibility to allow for better integration of the subwoofer responses with those of the main speakers in a more complex placement situation. For example, the lack of phase adjustability in this case would limit the possible placement of the subwoofer in the room to achieve a smooth response transition with the mains.

Luxman L-509Z integrated amplifier $12,495 Review

February 20, 2024 Comments Off on Luxman L-509Z integrated amplifier $12,495 Review

https://www.stereophile.com/content/luxman-l-509z-integrated-amplifier

Some amplifiers make you work to understand their meaning and message. Others shout their personalities like “Swifties” about to see their heroine. The Luxman L-509Z never shouts, barks, or begs. Its message is clarity, balance, coherence, seamlessness, quietude, and a certain invisibility—in keeping, I believe, with a Japanese audio aesthetic of delivering music artifact free, above all else.

As Luxman’s evolving noise-suppression technologies make the company’s amplifiers more silent, what is left behind is purity and focus. The L-509Z builds on tradition without losing the plot. It’s an exacting integrated amplifier with a good phono stage, a bevy of control options, and plenty of power. The Japanese company’s flagship integrated merits a “Sai-kōkyu” designation. We call it Class A.

NAD M66 review

February 20, 2024 Comments Off on NAD M66 review

Arendal Sound 1723 Tower S Loudspeaker REVIEW

February 19, 2024 Comments Off on Arendal Sound 1723 Tower S Loudspeaker REVIEW

https://www.soundstagehifi.com/index.php/equipment-reviews/1848-arendal-sound-1723-tower-s-loudspeaker

This, my first encounter with Arendal Sound left a positive impression. The 1723 Tower S combines distinctive styling, rock-solid construction, and engaging sound at an attractive price. I can now appreciate the confidence behind the company’s generous return policy. With its smooth top end, the Tower S can be enjoyed for long periods and at high volumes without fatigue. If you’re a listener who prioritizes detail above all else, however, you may find other speakers in this price range more satisfactory.

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