Canton Reference 9 Standmount Review

January 19, 2025 Comments Off on Canton Reference 9 Standmount Review

https://www.hifinews.com/content/canton-reference-9-standmount

Playing the Modern String Quartet’s imaginative, jazz-leaning arrangements of Mussorgsky’s Pictures At An Exhibition [Solo Musica SM468], the Reference 9’s combination of control, weight and resolution was very much to the fore. This balanced performance made the most of the interplay of the four musicians and the instrumental timbres, while at the same time placing the performers between and beyond the speakers in a noticeably three-dimensional manner. All this gave the album’s twists on familiar music – and a nod to ELP’s version of the work – plenty of space to breathe. Therefore, while Canton’s smallest References might not be an immediate choice for those seeking a standmount design, it would a mistake to overlook them – these have much to offer.

Recapping old amplifiers

January 19, 2025 Comments Off on Recapping old amplifiers

You don’t need 100 watts per channel

January 18, 2025 Comments Off on You don’t need 100 watts per channel

SVS PB16-Ultra and PB17-Ultra R|Evolution Subwoofers

January 17, 2025 Comments Off on SVS PB16-Ultra and PB17-Ultra R|Evolution Subwoofers

So, there are the results for the comparison between the SVSD PB16-Ultra and the PB17-Ultra R|Evolution Subwoofers. Even though distortion is more prominent in the PB16-Utra, I don’t see it being a problem at all because the harmonics are also very low frequencies. If you use a low-pass filter of 70 Hz – 80 Hz in your home theater processor like I do, 30 Hz will only produce one harmonic since the 3rd-ordered harmonic at 90 Hz is reduced due to the low-pass filter.

Spiral Ear SE5 NEBULA Review

January 17, 2025 Comments Off on Spiral Ear SE5 NEBULA Review

The bass is neutral, without any noticeable boost, offering a balanced presentation that blends some depth in the sub-bass with a good impact and punch in the mid-bass. While it lacks the physical weight of a dynamic driver, it shines in delivering fluid, tight, and fast bass.

Typical of BA drivers, the bass is quick in both speed and decay, with excellent control that ensures it never intrudes on the higher frequencies. This bass will serve you really well in genres where there is a focus on rhythm and groove.

T+A PA 3100 HV Integrated Amp

January 17, 2025 Comments Off on T+A PA 3100 HV Integrated Amp

Moon 110LP v2 $450 Review

January 16, 2025 Comments Off on Moon 110LP v2 $450 Review

https://www.whathifi.com/reviews/moon-110lp-v2

The stereo imaging is accomplished and remains stable even when the music becomes demanding. Overall, insight levels are good, though this isn’t a product that goes out of its way to highlight detail.

Each piece of information is presented in an unforced and subtle manner, meaning that in a short demo it would be easy to conclude that more forward-sounding rivals were more revealing. Give it a longer listen and it becomes clear that the Moon is right up there with the best at the price when it comes to resolution.

This unit has an undemanding nature, which makes it easy to listen to over long sessions. The aforementioned Graham Slee pulls ahead when it comes to dynamic punch and rhythm drive, but the Moon counters with greater refinement and sweeter tonality. The choice comes down to taste and partnering system, rather than a difference in absolute ability.

PS Audio Aspen FR5 loudspeaker Review

January 16, 2025 Comments Off on PS Audio Aspen FR5 loudspeaker Review

https://www.stereophile.com/content/ps-audio-aspen-fr5-loudspeaker

Though very good, the FR5s can’t perform miracles. Like the 6.5″ midwoofers in the B&W 705s, those in the FR5s, even aided by those passive radiators, could not compete in bass extension with larger speakers. Moreover, when driven at high levels with low-frequency content, their output is affected—somewhat coarsened—well up into the midrange. It’s just physics.

The solution—my solution anyway—is to add a subwoofer or two. Adding a pair of KEF KC92s and an 80Hz crossover produced an Aha! experience. On the Berio and Vollenweider recordings, low notes that were only hinted at previously were now felt. I was also pleased to note that at high listening levels, no matter the source, there was an added clarity, subtle but greatly appreciated, throughout the midrange, probably because the FR5 midwoofers were no longer also responsible for producing the lowest bass.

Technics SL-1300G Review

January 16, 2025 Comments Off on Technics SL-1300G Review

Jazzon V2Cube Audio Jazzon V2 Speakers Review

January 15, 2025 Comments Off on Jazzon V2Cube Audio Jazzon V2 Speakers Review

The Jazzon V2 reveals the music in full disclosure, with a sense of effortless fineness. It uncovers layer after layer of musical complexity without imposing its character or signature. Cube Audio’s smallest floor standers reveal the music for what it is, with a higher-than-usual level of engagement, achieving a harmonious balance between sound, space, and emotional bonding with the presented music material.

Any loudspeaker, or high-end audio product, is subject to voicing, to deliver proper equilibrium and sonic balance. A touch of character can be meaningful, but it should not overwhelm the music. Cube Audio expertly balances tonal accuracy and dynamic expression without breaking the elusive quality of sound.

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