Magico M9 Loudspeaker Installation

December 30, 2021 Comments Off on Magico M9 Loudspeaker Installation

Acoustic Signature Montana NEO turntable $30,995 Review

December 30, 2021 Comments Off on Acoustic Signature Montana NEO turntable $30,995 Review

https://www.stereophile.com/content/acoustic-signature-montana-neo-turntable

With the Etna, I heard more of the small, wide, not-particularly-deep West Hollywood 500 seater—I played there once!—than I heard through the A95. King and Taylor were reproduced with more three-dimensionality and solidity. The Etna put me in the first few rows in front of the stage. The comparison demonstrated that the Montana’s designers met their goal of producing a neutral, well-damped cartridge-carrier that lets through varied transducer personalities without limiting them in any way.

Conclusion
Though the arm/’table combo will set you back nearly $50,000, my experience was that every time I put a record on the platter, pressed “on”—even the push buttons delivered precise authority—and lowered the stylus into the lead-in groove, I had no doubt about where the money went, especially because, having set up the turntable myself, I hear the ‘table’s well-hidden, ingeniously designed, skillfully executed guts in every play.

iFi Go Blu vs Fiio BTR5 vs Qudelix 5K vs Radsone ES100 

December 30, 2021 Comments Off on iFi Go Blu vs Fiio BTR5 vs Qudelix 5K vs Radsone ES100 

MEZE AUDIO LIRIC REVIEW

December 28, 2021 Comments Off on MEZE AUDIO LIRIC REVIEW

Switching to the Elite from the Liric is a bigger shock. The Elite is the more neutral, fast and energetic brother of the Empyrean and as such the difference with the Liric is quite big. The Elite here is far more neutral and precise with a much higher level of technicalities. It has a much lower amount of bass, and lighter body overall. The Elite sounds wider as well and logically more open. The Liric is softer in delivery and that’s mostly audible in the mids, vocals and lower treble. Bass in the Liric has better sub rumble but both reach down very low. Vocals in the Elite are also more to the front like in the Liric, but they are thicker in the open back Elite. The Elite has a higher level of refinement and the micro details and note extension is better. Same goes for the clarity. As you can see the difference between the Elite and the Liric are more important than with the Empyrean, but hats only normal.

D’Agostino Master Audio Systems Progression M550 

December 28, 2021 Comments Off on D’Agostino Master Audio Systems Progression M550 

https://www.soundstageultra.com/index.php/features-menu/opinion-menu/1069-stereophile-and-d-agostino-is-it-really-a-progression

Audiophiles tend to fall into either the measurements camp or the listening camp. Not unlike politics, the debates that ensue get downright contentious. Personally, I’ve never felt the urge to define myself in this way. I like more data, not less, and therefore, when I’m compiling info to base a buying decision on, I prefer to consider my own listening tests in conjunction with a set of comprehensive measurements. Where the positive results from both tests converge, I tend to find my contenders.

Rather than adhering to a diehard belief in the benefits of one criterion to the exclusion of the other, my perspective aligns more towards being skeptical of both: 1) I don’t believe measurements tell us everything there is to know about a product; 2) I also know that my hearing—and my assessment of the results of my listening tests—are fallible. To me, having both is really a system of checks and balances.

JBL4344 & Diretta PC System

December 28, 2021 Comments Off on JBL4344 & Diretta PC System

Vimberg Tonda D Review

December 27, 2021 Comments Off on Vimberg Tonda D Review

General impressions of the Tonda D show the speakers to have notably excellent imaging, resolution, detail retrieval, transient behavior, dynamic contrasts, and undiminished energy as one goes higher in the frequency range. The sound is smack dab in the middle area of balanced playback, with an ever-so-slight tilt towards the cool side of neutral in my particular setup. Much of that ever-so-slight tilt can be attributed to my personal preference for a smidge more lower midrange fullness, and because my listening room refuses to overload with bass (a good thing, IMO), where a smaller and more enclosed space would fill that particular cup a bit more completely. None of these preferences detracted from my enjoyment of the Tonda Ds’ excellent performance during their time here.

Audes ST3000 Review

December 27, 2021 Comments Off on Audes ST3000 Review

https://stereo-magazine.com/review/audes-st3000-review

In addition, the Audes developers have decided to balance (or symmetrize) the mains voltage. That means that, instead of 230 volts between both “poles” (phase and neutral) or between the phase (outer conductor) and the protective conductor, they have realized 115 volts each between the two poles and the protective conductor. Of course, that still means that there are 230 volts between both “poles”. To illustrate this, imagine it on an electrical socket on your wall. The secondary winding is thus divided into two halves, which have an (artificial) center tap that is connected to the ground contacts. This is also the place to which all interferences are diverted. That‘s all, but the effect is enormous.

10th Anniversary KRS 4351

December 27, 2021 Comments Off on 10th Anniversary KRS 4351

Chord Electronics unveils Anni

December 26, 2021 Comments Off on Chord Electronics unveils Anni

https://www.hifichoice.com/content/chord-electronics-unveils-anni

It benefits from both 3.5mm and 6.35mm headphone outputs, so two can listen simultaneously, plus 4mm banana-type loudspeaker outputs and it claims to deliver 10W of Ultima amplification, controlled by a fascia-mounted volume control that also doubles as an input selector switch for Anni’s two line-level inputs. A two-stage gain control for loudspeakers provides additional flexibility with a wide range of desktop monitors.

Anni comes in the CNC-machined high-grade aluminium casework that’s common to all Chord products with the company’s trademark polychromatic control spheres governing the power and gain controls and complementing the fascia-mounted volume control/input selector.

Anni is powered by a 15V external power supply and benefits from a 12V DC output, capable of powering the Qutest DAC and Huei phono stage when used with the new Qutest range power adapter (supplied).

Available to buy now for £1,200, and on test in the January 2022 issue of HFC, you can find out more about Anni here.