Audiophilepure

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“As an afterthought, I suppose anyone purchasing a $5,000 two-channel amp will probably already own a headphone amp of commensurate quality. If not, the Edge A has you covered. I tried all three of my available cans—long-standard studio Sony and excellent NAD and HiFiMan pairs—with great success: sound quality was about as high as I’ve heard from any of them, and in all three cases there was plenty of level. Another afterthought: the Edge A’s Bluetooth feature worked as expected, but since I lack a Bluetooth aptX source, wireless quality was dramatically inferior, though that’s no fault of Cambridge’s amp.”

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“Listening to an old favourite CD of mine, Haydn Symphony No 77, Christopher Hogwood and the Academy of Ancient Music, the difference between the three oversampling/upscaling options is not small. Starting with the minimum oversampling rate, which reads as 88.2 kHz on the DAVE, I get a pleasant presentation, fluid and coherent, but not the deepest of soundstages. Changing to the maximum oversampling immediately improves imaging and increases soundstage depth, while creating much greater space between the instruments in the orchestra. It’s almost as if you have pressed a button marked ‘3D’. There is also a sense of what happens when you move back five rows in a concert hall, a hint of the concentration of the intensity and colour of the sound being slightly diluted. On this period instrument recording, I miss a bit of weight in the bass; it is true that period cellos and basses make less grunt than the modern equivalents, but it is noticeable nonetheless. Contrasting the Blu with my Esoteric K-05 CD player, used as a transport only, playing through the DAVE via a Chord cable, the latter seems to have more grunt and there is more of a sense of the bass driving the harmony and the music than with the Blu Mk2. It doesn’t, however, have the effortless sense of space that the Blu Mk2 has, or indeed the litheness of its approach to making music. ”

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“The CH Precision I1 has a tough job to do. It needs to be awesome enough to justify its price and position both in the CH Precision line-up and against the rarified air of some of the best ever integrated amplifiers in the price-no-object class. But it also has to be good enough to showcase what the bigger fish in the CH Precision pond are capable of, but not so good as to outshine those bigger fish. Of these tasks, only the last is a realistic goal, because the separates CH Precision components are an order of magnitude better than both the I1 and any of its rivals. But the I1 does all the other tasks, too. This is one of the best integrated amplifiers (and I still hate that term for this design) you can buy.”

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“Anthem’s STR Integrated is a very musical amplifier which is capable of reproducing a wide range of instruments and vocals exceptionally well. Add in Anthem’s Room Correction functionality, and this is a component with vast appeal.

Overall it’s an excellent foray into the higher end of audio by Anthem. I have to admit I was not expecting an integrated amplifier that could play in the same price range as products produced by long-established companies such as Luxman and Accuphase, but I am delighted indeed to discover that my expectations were thoroughly exceeded. ”