Audiophilepure

https://www.hifinews.com/content/avm-ovation-cs-83-black-ed-all-one-solution

It’s the successor to the CS 8.2 [HFN May ’17] and still employs Class D amplification from Pascal – a well-known supplier to pro audio brands, and recently featured in Dynaudio’s active Focus loudspeaker – next to an ESS-based DAC. The Pascal module is driven by a triode tube line/preamp stage in the CS 8.3, unlike the £12,950 Ovation CS 6.3, for example, which is solid-state throughout.

Shipped in its own bespoke flight case, the £15,950 Black Edition we have here takes the standard CS 8.3 model and gives it a discrete makeover with an exclusive finish and selected tubes. And no, although ‘Black Edition’ makes it sound like a limited offering, this flagship is here to stay.

Circling back to my initial points about imperfections, and that all designs possess them—why else keep pushing the envelope?—it’s interesting to think about how, throughout audio history, certain memorable designs have identifiable shortcomings that don’t greatly detract from their overall excellence. I’ll cite the original Quad electrostatic speaker, the Rogers L3/5A mini-monitor, and the Audio Research SP6 preamp as examples of designs that so wonderfully capture the gestalt of the music that we’re able to live with and listen past their imperfections, because they are so very good at drawing us into and conveying the music.

https://www.stereophile.com/content/hifi-rose-ra180-integrated-amplifier

Except perhaps for this impression of heightened detail, the RA180 remained mostly neutral in its tonal balance. If anything, it ran slightly cool rather than warm. Once in a while, the RA180 verged on leaning a little too far to light, clean, and shiny, like a new penny. Yet, in any kind of music—delicate classical, hard funk, crystalline electronica, all the other stuff I played—the RA180 maintained its cool sense of control.

Audiophiles who appreciate a unique visual and functional design and fast, clear, detailed sound—especially those with biampable speakers (or, even more, who use supertweeters)—should give the HiFi Rose RA180 a long look and listen.

During the evaluation period two audiophile friends dropped in to listen a few times, both of whom have outstanding systems. The first was so impressed he asked if I could bring the C399 over so that he could hear it in his system, which consists in electronics that total over four times the price of the NAD. The other, who is into extremely expensive equipment, was so gobsmacked by what he heard as to leave him totally shaken, mumbling how that level of performance could come out of a unit this unpretentious in size, weight, appearance, and price. He visited again a week later, then again a few weeks after that, each time departing in a similar state of disbelief. Let me reassure you that with both friends, and myself, our reactions are most definitely not an instance of Dr. Johnson’s dancing dog—you know, it’s not that the dance is so good, it’s that a dog is doing it.

https://www.stereophile.com/content/rogue-audio-pharaoh-ii-integrated-amplifier

The headphone the Pharaoh liked best was Meze Audio’s new $4000 Elite—an open-back, planar-magnetic design. Powered by the Pharaoh, the 32 ohm, 101dB/mW Elite delivered music with relaxed, pristine clarity. The Rogue–Elite pairing played Ledbetter live in Austin with an air of well-structured authority that said, “Who cares if the headphones cost as much as the amp? The sound is dang near perfect.”

The headphone the Pharaoh II liked almost as much was Sony’s $1799 MDR-Z1R, the closed-back I have used more than any other headphone since I reviewed it in GD16. Because they are so comfortable, durable, natural-sounding, and easy to drive, the 64 ohm, 100dB/mW Z1Rs have never stopped being my paint-splattered daily headset. They employ fast, 70mm magnesium domes that never hint that they’re made of metal. Powered by the Pharaoh II, those domes sounded like they were made of paper: not too soft or hard, space and detail displayed with an appealing tube-like sheen. A recommendable match.

I am at a loss for words to describe my excitement listening to the groundbreaking Eros 500 monoblocks. I was expecting excellence, but not ball-busting greatness. Plus, from all the worldwide tube manufacturers of note and history, it is Zesto Audio in Southern California that creates these masterpieces.

Congratulations to George Counnas and Zesto Audio for bringing to us, the audiophiles of the world, the best tube amplifier (and maybe any amplifier) ever. You must hear the Zesto Audio Eros 500 Select Class A monoblocks if you are even contemplating cost-is-no-object or high-end high-powered amplifiers for your system. These are the best amplifiers yet devised, in my humble opinion.