Ideon Absolute Stream Meta 2024 server/streamer $24,000 Review
November 8, 2024 Comments Off on Ideon Absolute Stream Meta 2024 server/streamer $24,000 Review
https://www.stereophile.com/content/ideon-absolute-stream-meta-2024-serverstreamer
Never before have I reviewed a stand-alone streamer/server so accomplished in the hardware department, yet so behind the best in software implementation. True, my review collection has been limited to five or six server/streamers from Innuos, Aurender, Antipodes, and Roon, many of whose initial software releases also cried out for improvement. But as the years have progressed, each of those companies has made great strides in software design while also upgrading their hardware.
Nonetheless, as much as Ideon has some catching up to do software-wise, some other companies could learn a thing or two from Ideon’s technological achievements. I fully believe you will hear the music you love to listen to via file playback or streaming better and sink deeper into its power and mystery if you listen through the Ideon Absolute Stream meta edition (2024). Your satisfaction will increase if you feed the Absolute Stream with a network switch that reclocks data and outputs via LAN (Ethernet). Your joy will increase even more if you feed it with the Ideon Alpha Wave, which reclocks data and outputs via USB. In fact, you may love this combo’s sound so much that you’ll stick with FLAC files, which the Absolute Stream’s proprietary software processes very well, or embrace the Absolute Stream’s easy-peasy option of Roon playback.

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In fact, this chip is more of an SOC than a simple DAC, embedding all kinds of features like advanced 32-bit oversampled multi-bit modulator with mismatch shaping technology, or an Integrated GND-centered, enhanced by a dual set of SGM8262 Op-Amp for the power amp part. What’s even more interesting, is the fact that this time, you can switch between Class A/B and Class-D mode, in case you’d prefer a specific sound signature, in addition to the usual roll-off settings.
Add to that the ability to decode PCM signal up to 32bit/768kHz and even DSD256 files on the go, super low distortion (<0.00045%@32ohms), equally low noise floor (<1.7uV) and very good signal to noise ratio (>123dB), and you get a killer dongle.

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Something that really caught my eye on the Eversolo, or better yet, in the Eversolo, is its resistor ladder amplification stage. Nowadays we often see R2R DAC setups, but Eversolo opted to use it as their amp stage, which is very nice! This all is just a very brief overview of what the DMP-A8 packs, and I suggest, that you check out the detailed product info on their website.


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PS Audio’s rationale for that decision is because the company feels that USB is a noisier carrier to SPDIF or I2S. While that may be true, I caution the reader to take any blanket statement of standards with a grain of salt. During the AirLens and MK2 review, I had an in-depth conversation with a designer of a dedicated NOS (non-oversampling) DAC that has only one output – USB. That designer considers an external I2S connection to be redundant and inefficient and refuses to use it! That how the audio industry rolls; one designer swears off USB and the other promotes it! The audiophile is left scratching their head. I have encountered such contradictions consistently, so it no longer shocks me. In one sense, I could care less whether the favored connection is USB or I2S, may the best sounding connection in my system win!


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