Audiophilepure

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“t’s a lot easier to shoot hard-angled objects. Flags can be roughly cut and are easier to position. Reflectors can be smaller, and require less precise angling. I approach each earphone I shoot as a wholly different task with a wholly different studio setup: a custom studio, if you will. But custom set ups have downsides. You can’t suddenly shoot another product. You need to tear down, model, carve, and set up again. The K10C slips right in the ear. It is comfy. And, it should sound the same from ear to ear. I feel that it fits a wide array of music, but it is warmer, softer upper midrange edges make it a better fit for music that’s not trance or EDM.”

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” 64 Audio have done a good job in capitalising on ADEL’s modular technology which has been proven to be more than just a novelty marketing piece. Along with their own input and fine refinement of the U12’s tuning, the company has released a force to be reckoned with in the saturated market of personal audio. At $1599, the U12 is by no means cheap but an investment that could certainly pay off in the long run both in terms of hearing preservation and pure sonic enjoyment. What’s more is that Asius Technologies are working on the release of adjustable modules to fine tune the listening experience of the U12 to your own liking. Unlike filters which just change the sound of the signature, these adjustable modules feature the same diaphonic lens of the stock ADEL module and have the ability to alter isolation levels. An exciting time indeed—do stay tuned for more…

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” The soundstage of the DN-2002 is very similar to that of the DN-2000J. The only real difference is that the midrange of the DN-2002 is slightly more forward resulting in a more narrowed perceived presentation of vocals. Instrument separation is also beyond average and has always been one of DUNU’s strength along with its expansive sound presentation.”

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“Operating under the philosophy that the cabinet has the greatest effect on overall sound quality, in order to control unwanted resonances (what they refer to as “box colorations”) the chassis is “meticulously milled and turned on modern multi-axis CNC machines from a solid block of 6061-T6 aluminum.” As to driver technology, they have chosen to use a single dynamic transducer, adopting the principle that the best way to maintain phase coherency and to eliminate crossover distortion is to use a single full range driver. Once again to quote DITA “To fully exploit our ultra rigid chassis, we needed to design a state-of-the-art driver that is ultra-lightweight, ultra-fast and rigid driver. The combination of both lightness and rigidity gives us a smooth and wide bandwidth response curve, along with stunningly quick impulse response.” But DITA doesn’t stop at the chassis and driver, they consider the cable to be a major factor in the sound and have taken great pains in the design and manufacture of their cables down to the use of Van den Hul silver solder and the non-magnetic carbon fiber TRS connector.”