Audiophilepure

Shown below is an exploded view of the FR5. The inside of the enclosure is open to both drivers, but there is a 4mm deep cup with damping material that seals the tweeter voice coil along with a foam gasket for the tweeter frame. There are several braces as well as long bolts that attach the front baffle to the rear panel. This pulls the enclosure very tightly together. Polyester fiber is used inside the enclosure for damping.

The box is tuned to 35 Hz. Passive radiator enclosures have a steeper roll-off below their tuning point than a typical ported enclosure because of the additional compliance term of the passive radiator.  As such, there isn’t much output capability below the tuning frequency.

https://www.hifinews.com/content/canton-reference-7

The Reference 7 may ‘only’ be the smallest floorstander in Canton’s reinvigorated top-of-the-line range but it’s still a very solid performer that easily fills larger rooms. Introducing a radical but pleasing industrial design and embodying new ‘acoustic smarts’, the Reference 7 is a capable performer that, while extracting the finer points of recordings, really excels at communicating power, dynamics and thrills.

https://www.soundstagehifi.com/index.php/opinion/1920-arendal-sound-1528-tower-8-loudspeaker-why-im-going-3500-miles-to-learn-how-it-happened

The speaker is made in China, mind you. But still, $9500 seemed like such a steal that, as I was reading Jan’s email, my eyebrows rose, my hands went down to the seat cushion on my chair, I propped myself up straight, and I realized that I might have to travel 3500 miles to Norway and visit this company so I could find out how they could possibly supply such a large, tech-heavy speaker for such a low price.

But I have a confession to make: I estimated the price based solely on what I was seeing—I hadn’t yet listened to the pair. Now that I have listened, I know my early reaction was on the right track—sonically, there’s much to admire here. However, not all my listening is done, so I’ll hold my thoughts on the Tower 8’s performance for my full review.

So, for a loudspeaker that does so many things well, are there any downsides to the F1-8S? Well, the Fyne is not a laid-back loudspeaker. Don’t get me wrong, the F1-8S is not forward or obstreperous in demeanor, but it made every musical performance an event, one that left me no option but to engage with the musical message. For those seeking a loudspeaker that blends into the background, the Fyne may be interpreted as being a little overly energetic. But, the F1-8S has a trick up its sleeve, namely those crossover Energy and Presence controls. With careful adjustment of one or both controls, the user can dial in the condign amount of soundstage perspective and/or treble vivacity. It’s this variability that affords the Fyne a level of flexibility not available with other loudspeakers.

Heroically constructed, with an exceptional fit-and-finish, the Fyne Audio F1-8S is a handcrafted masterpiece. More than that, the F1-8S is a sonic tour-de-force. With superior resolving powers, holographic imaging, and tonality that is spot-on neutral, the F1-8S disappears into the soundstage and brings music to life in a spellbinding manner, one that, once heard, is impossible to forget. The Fyne F1-8S is a music maker of the highest caliber, and in all my years as a reviewer, it’s the most accomplished loudspeaker I’ve experienced.  

https://www.enjoythemusic.com/magazine/equipment/1024/MACO_MACARIA_Open_Baffle_Loudspeaker_Review.htm

The Mahi put out 20 watts each in triode mode and 40 watts in ultralinear. I appreciated the additional power of ultralinear, but the tonal quality of triode mode was the winning ticket for me. The ultralinear mode accentuated the sharp edges of notes that became tiresome while the triode mode softened them up slightly and gave the music a healthy share of liquidity that benefited the MACARIA. Using a quartet of EL84 tubes in each Mahi with the MACARIA provided a good portion of the benefits of the SET tubes used earlier while providing a tighter bass and continuity of tone from top to bottom. I considered bi-amp’ing with Eddie Wong’s 300B monoblocks on top but I had to draw the line to finish the review.

https://www.stereonet.com/au/reviews/taga-harmony-nostalgic-th-12-floorstanding-loudpeakers-review

TAGA Harmony’s Nostalgic TH12 is an interesting-looking loudspeaker with real sonic ability and charm, especially on well-recorded programme material. Whether you like the styling is a personal matter, but there’s no denying that a pair of these will quickly become the focal point of your listening room. Overall, it’s a solid thumbs up for this design, which offers very good value for money—especially when you factor in the bundled stands. Do try to audition a pair if you get the chance.