Audiophilepure

https://www.whathifi.com/reviews/kef-r3-meta

That the new R3 Meta allow us to park our analytical observations after a while and simply enjoy listening to our music collection really says it all. To confirm: these are hugely enticing speakers in design and in performance. 

We haven’t come across many stereo speakers at this price point in recent years that are so accomplished in all the ‘hi-fi’ ways and fun to listen to in the same breath. If your system and budget allow it, the new KEF R3 Metas are worth the plunge. We promise you’ll be entertained.

With the impressive level of bass I experienced with the Signature 60 in the large room, I’ll admit that I was a bit concerned that they might overpower the smaller dimensions of the analog room. As it turned out, no worries—the room is fairly well-damped, and the bass level was absolutely perfect! Again, the imaging of the Signature 60 was spot-on, and as in the larger room, they simply vanished during playback, giving me a really great illusion of being live in Glasgow with Travis at this incredibly entertaining concert. The Signature 60 projected a stereo image with a greater degree of scale than one might expect from a standmount monitor; I was constantly amazed by this. My PrimaLuna EVO 300’s EL34 output tubes were an excellent match for the Signature 60, and helped imbue their sound with a very liquid and lush character. And the AMT driver presented a top end that was supremely musical, with incredible clarity and transparency—this really took me back to my first truly high-end loudspeakers, a pair of ESS AMT 10b that I was totally smitten with back in the late seventies.

https://www.soundstagehifi.com/index.php/equipment-reviews/1773-mission-770-loudspeaker

From its deep bass to its extended highs, the 770 proved commendably neutral, which is quite an achievement if it was truly designed more by ear than by measurements. But perhaps the ear-tuning is what instilled the performance aspects I liked most—the rich, powerful bass combined with a midrange that blossomed with realism with all the music I played, yet still provided detail akin to the best speakers I’ve heard. I was also surprised how well the 770 gets the sound out into the room, without those telltale big-box colorations that can make old-school speakers sound muffled rather than open and spacious. That sort of thing is tough to suss out with measurements, so maybe that’s what Comeau and crew used their ears for. That could be a lesson for those who rely more on charts than their ears.

https://www.soundandvision.com/content/jbl-4329p-powered-studio-monitors-review

I streamed a live reading of this memorial to the Ukrainian victims of Nazi genocide by Muti and the Chicago Symphony and Chorus, which won a best-engineered Grammy a couple years ago, from Qobuz as a 96/24 FLAC. Via the JBLs this very naturalistic recording stunned me with the great definition of instruments and voices, letting the ear pick out individual voices from the (mostly) men’s choral parts, and the dense, dark woodwinds—the bass clarinet, for one example—of the dark, somber opening. The brasses were plangent and sparkling, the choral consonants crisp and, where appropriate, realistically sibilant, yet the Chicago’s warm and gooey string sound was well evident

It pains me to say, but as much as I love the original Olympica IIIs that have anchored my media room setup for four years now, the new Olympica Nova Vs are superior in every way imaginable. The three woofers on the Olympica Nova Vs offer a significant improvement in bass output as well as depth. More surprising is that even with the additional bass, the Olympica Nova Vs were less sensitive to positioning in my room. This bass also seemed to blend better with the midrange, creating a more cohesive experience. The Olympica Nova Vs sound phenomenal with well-recorded classical and jazz yet can totally rock out if you prefer more dynamic styles of music, like EDM or Metal. The larger cabinet and improved construction seem to have made a fuller-bodied sounding speaker as well. Male and female vocals are handled with equal aplomb