Audiophilepure

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“When it comes to a turntable rack, function is as important as form, and the Vulcan has both of them going for it. It feels and sits rock solid, its aesthetics easily pass the spouse acceptance factor and it’s bargain priced to boot. In less than half an hour my living room was transformed, and the storage shelves give me plenty of space for future LP purchases.

Turntables are back. So are spin-cleaners, stylus gauges and carbon fiber brushes, among other doodads and tweaks. Consider the turntable stand as one of the most important among these. And consider the Vulcan TT as an easy, attractive, effective and economical option that delivers everything you’d hope for from it. Enthusiastically recommended and HRAC-approved.”

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“The effect of all this effort to deliver clean AC power was not subtle. Every aspect of the sound is touched, elevated, and refined. Everything we seek in great sound, dimension, depth and space, color, dynamics, transparency, and detail are boosted in seeming equal parts. Without the P series in the chain, the sound I have lived with, while enjoyable, now can be characterized as “you don’t know what you are missing until you know what you’ve been missing.” Like moving from an adequate camera to a professional caliber camera in the hands of a great photographer, the sound-picture really pops, where before laid a bit flat in retrospect. I’m wracking my brain trying to pick one aspect of the sound that benefited most, but since AC power is the life blood of all aspects of reproduced sound, it makes sense as to why it is so difficult to pick just one, or even two qualities that jump out. It really depended greatly on what ever recording I was listening to as to what the dominant strengths or characteristics of the recordings were. Some recordings such as Stanley Clark’s East Riverside Drive, with its pounding bass on “I’m home Africa,” a track played through every component I have ever reviewed, the low end gained definition and greater focus, becoming a more discrete part of the sound. Mid range heavy recordings, such as those by Johnny Hartman and John Coltrane, reveals subtle inflections and denser color of both Hartman’s honey toned baritone and Coltrane’s flying, lyrical alto runs.”