NAD C 510 Direct Digital Preamp/DAC Preview
September 2, 2014 Comments Off on NAD C 510 Direct Digital Preamp/DAC Preview
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” The C 510 has, of course, 192/24 DACs but can accept no analog inputs at all. There is an HDMI output but it is labeled for video only. The analog outputs (for connection to your amp) is powered by a Class A amplifier,”
Parasound Halo P5 Preamplifier Review
August 29, 2014 Comments Off on Parasound Halo P5 Preamplifier Review
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” The P5 is really very neutral, that’s the first thing that I noticed. It honestly makes the Roksan sound a bit coloured and warm for my liking and this is something I hadn’t noticed about the Roksan previously.”
Audio Research SP20 Preamplifier Review
August 29, 2014 Comments Off on Audio Research SP20 Preamplifier Review
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“With the SP20, Audio Research Corporation strides surefootedly back into the market of high-end preamplifiers. While not at the rarefied level occupied by ARC’s Reference components, it’s a big step up from the SP16 and SP17, and enters the territory occupied by ARC’s best non-Reference phono and line stages.”
Naim DAC-V1 Digital To Analogue Converter/NAP100 Power Amplifier REVIEW
August 23, 2014 Comments Off on Naim DAC-V1 Digital To Analogue Converter/NAP100 Power Amplifier REVIEW
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“So what we have here is a sub $5K digital hi-fi system that is seriously good in every way that counts. If your music collection is on computer or you’ve got a CD player and want to hear your silver discs sounding great”
Naim DAC-V1 Digital To Analogue Converter/NAP100 Power Amplifier REVIEW
August 19, 2014 Comments Off on Naim DAC-V1 Digital To Analogue Converter/NAP100 Power Amplifier REVIEW
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“I ran my well-used set of Sennheiser HD650 ‘phones into the DAC-V1 with my Marantz SA8260 SACD player again connected to one of the optical inputs. It didn’t take long for me to grasp just how superb this headphone stage is – the clarity and detail levels are as good as anything I’ve ever heard from a dedicated headamp, while dynamics are delivered with an authority that needs to be heard. Interestingly enough, the sound quality from the DAC-V1’s headphone stage is much more like the traditional Naim sound I’m used to – slightly lean but oh so fast.”
Audio Research SP20 Preamplifier
August 14, 2014 Comments Off on Audio Research SP20 Preamplifier
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I got similar results with the Tallis Scholars’ recording of Allegri’s Miserere (24/96 FLAC, Gimell): The SP20 made it easy to hear the instrumental details in this information-rich recording, as well as the precise positions of singers across the soundstage.”
Dan D’Agostino Momentum line preamplifier Review
July 29, 2014 Comments Off on Dan D’Agostino Momentum line preamplifier Review
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“However, now that I have more listening time under my belt, I won’t call the Momentum preamp’s sound “pretty much nothing.” Because what I heard when I walked into that AXPONA room was a familiar sound. When we think we’re hearing “nothing” or “neutrality,” we’re kidding ourselves.”
Rogers PA-1A Phono Preamplifier Review
July 17, 2014 Comments Off on Rogers PA-1A Phono Preamplifier Review
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“No matter how much great tribute bands try to cover Led Zeppelin, they just can’t recreate the nuance, sonic complexity, or the sheer texture with which Jimmy Page plays”
NAD Master Series Preamplifiers and Amplifiers
July 17, 2014 Comments Off on NAD Master Series Preamplifiers and Amplifiers
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“The two-channel M22 ($3,000) and seven-channel M27 ($4,000) amplifiers can accept unbalanced or balanced connections and have 12-volt triggers”
Krell Phantom III Preamplifier Review
July 17, 2014 Comments Off on Krell Phantom III Preamplifier Review
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“Harmonic depth, which tells the listener about tone and emotion, is largely absent. This is consistent with low quality MP3-type low bit rate/low resolution sound. I thought of a beautiful woman with an IQ of room temperature.”
Audiophilepure 
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