ROGUE AUDIO RP-5 V2 PREAMPLIFIER REVIEW

February 27, 2024 Comments Off on ROGUE AUDIO RP-5 V2 PREAMPLIFIER REVIEW

I also heard and enjoyed all the ambiance of the venue. Take “Solar” as one example. Not only can you hear the audience noises, but I also hear the lifelike sound of Scott LaFaro’s fingers on the strings across a backdrop of sweet drumming and the “inconsiderate” audience making audience noise (and talking!) All this came to the fore on the bass solo.

Did I mention Evans’ piano yet? Well, it’s a versatile instrument: Bill Evans was a jazz virtuoso, and the RP-5 allowed all this to be front and center. So, the piano was melodic and percussive in equal parts. The Rogue provided a very natural representation of a real-world instrument. “Alice in Wonderland” was another standout where the piano in particular had a starring role throughout the forte passages during which the bass really anchored the ensemble. The Rogue RP-5 v2 made it all sound so musically satisfying.

HOLO AUDIO Serene

February 25, 2024 Comments Off on HOLO AUDIO Serene

NAD Masters M66 BluOS Streaming DAC-Preamplifier 

February 13, 2024 Comments Off on NAD Masters M66 BluOS Streaming DAC-Preamplifier 

Simaudio Moon 791 Streaming Preamplifier $16,000 Review

February 5, 2024 Comments Off on Simaudio Moon 791 Streaming Preamplifier $16,000 Review

https://www.soundstagehifi.com/index.php/reference-components/1847-recommended-reference-component-simaudio-moon-791-streaming-preamplifier

Simaudio’s Moon 791 has received much attention and much praise on SoundStage! Network sites during 2023, as did the Moon 740P ten years earlier. In the December 1 review, the 791 earned a Reviewers’ Choice award, as the 740P did in 2013. The next accolade came on December 15, when the 791 was recognized as one of the Products of the Year for 2023, as was the 740P before it. Now, the Recommended Reference Component award is yet another formal recognition the 791 shares with its predecessor. And while garnering the same accolades, the 791 far surpasses its predecessor with its DAC, streaming module, phono stage, and broad connectivity. That it does so without compromising performance is a stunning achievement fully deserving of every honor that the SoundStage! Network can bestow

Marchand Electronics LN112 MC Phono Preamp Review

January 27, 2024 Comments Off on Marchand Electronics LN112 MC Phono Preamp Review

https://www.analogplanet.com/content/marchand-electronics-ln112-mc-phono-preamp

Overall, I had a great time listening to those five RVG Blue Note LPs with the Marchand Electronics LN112 phono preamp. As I mentioned back in the Setup section, the LN112’s lack of a power button was a bit of a nuisance — but, as Dr. Marchand noted in his earlier direct response, he will (hopefully) correct that soon enough. Other than that pesky nit, I can confirm the Marchand Electronics LN112 is a musical-sounding — and quite satisfying — MC tube phono preamp that, without question, deserves an audition, so I say go ahead and give it a shot.

Audiolab 9000N HIT REVIEW

January 17, 2024 Comments Off on Audiolab 9000N HIT REVIEW

Simaudio Moon 791 Streaming Preamplifier $9500 REVIEW

December 24, 2023 Comments Off on Simaudio Moon 791 Streaming Preamplifier $9500 REVIEW

https://www.soundstagehifi.com/index.php/equipment-reviews/1842-simaudio-moon-791-streaming-preamplifier

That the MiND Controller app showed the DSD resolution is one indication of the tight integration of Roon, MiND 2, and the 791. Another is that Roon also transfers each album’s graphic to both the MiND Controller app and the 791’s front-panel display. This integration goes beyond the sharing of playback information: a volume-level change in Roon is synced with the app and the 791 with minimal lag. I also noticed that the track-skip function on both the BRM-1 remote control and within the MiND Controller app was synced to the one in Roon. Finally, I discovered that when the 791 is on standby, an audio signal from Roon will kick it back to life and automatically select the MiND input if another is selected, which is all very convenient.

Eversolo DMP-A8 Review

December 18, 2023 Comments Off on Eversolo DMP-A8 Review

Krell Illusion II/KSA-i400 Pre/Power Amplifiers Review

December 10, 2023 Comments Off on Krell Illusion II/KSA-i400 Pre/Power Amplifiers Review

https://www.hifinews.com/content/krell-illusion-iiksa-i400-prepower-amplifiers

An Ethernet port is provided on the power amp for software updates, but the only means of control from the preamp is via 12V triggers for on/standby. The Illusion II itself has two sets of balanced analogue inputs and three on RCAs, plus two coaxial, optical and one AES/EBU digital input. Outputs are also on XLRs and RCAs, alongside 12V trigger in/outs, and a socket for an external IR receiver should you want to hide the preamp away.

Front panel controls are via traditional ‘pin-head’ pushbuttons, duplicated on the chunky metal remote handset. There’s no volume knob, but the balanced resistor-ladder adjustment has a rather a large number of very fine steps controlled by up/down buttons. This makes for precise if rather slow adjustment, but at least the blue light-bar on the preamp, which initially glows red in standby, flashes to show you that commands are being received and acted upon. There’s a mute button on the remote should you wish for a swifter pause or restoration of output level.

The EVERSOLO DMP-A8 Review 

December 3, 2023 Comments Off on The EVERSOLO DMP-A8 Review 

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