Audiophilepure

Most audiophiles crave a beautiful loudspeaker cabinet that compliments the interior décor. Ze’ev is aware of this and thus his speakers are available in different front panel finishes. I was asked about my color preference, and I indicated “red.” The pair submitted for review is painted in pumpkin red. If you want your pair to be in red and not of the pumpkin variety, be sure to specify “intense red” or “wine” red. Hope it’s not gonna make Ze’ev and his team pull their hair out.

Standing over six feet tall and arching towards the listener, the PAP Quintet15 Voxativ AC-X is taller than the 72 inches tall Sound Lab Majestic 645 that I reviewed in 2020, and the contrast couldn’t be more striking between the two, in which one system uses just one lone albeit powerful seven-inch full-range driver and accompanied by four 15-inch woofers, versus one that utilizes a large canvas of a radiating area of a panel. Interestingly, both designs feature no magnets and operate on externally energized principles.

To achieve it, we have done extensive ETR (evaluation, tuning and recheck) with optimized crossover, damping, fine tuning it meticulously.
We believe that the Gaius convey closer to true musical fundamental that includes accurate keytone & pitch, engaging pace, tuneful melody with proper Attack, Decay, Sustain, Release and harmonious timing (among multiple tones from instruments).
We hope that music lovers can have an enhanced listening experience through the Gaius that is soulful, musical and extra ordinary.

https://www.hifinews.com/content/magico-s3-2023

The Espen Eriksen Trio/Andy Sheppard’s recording of ‘In The Mountains’, from the album of the same title [Rune Grammophon RCD2227] was a perfect choice for Magico’s S3 2023 to set out its stall – the immediate impression being of presence and three-dimensionality, along with fine instrumental timbres, especially in Sheppard’s sax. Similarly, Anaïs Reno’s atmospheric Live At Pizza Express, on the venue’s own PX Records label [PXRCD1008], arrived with all its ambience intact. It was a real ‘you are there’ experience, with Reno’s voice almost tangible.
The recent Lang Lang Saint-Saëns album [Deutsche Grammophon 4875019] is so deceptively easy to listen to via these speakers that it’s easy to overlook the sheer amount of information on offer, from the scale and delicacy of the soloist’s piano to the accompanying orchestra. There was a lovely light airiness to the woodwind in the ‘Aviary’ section, plus tight control of the plucked strings, while the ‘Fossils’ section proved joyous with its xylophone and exuberant finale.