Audiophilepure

https://www.stereophile.com/content/musical-fidelity-nu-vista-8002-integrated-amplifier

This was a difficult review to write given that, like other 21st century solid state amplifiers that offer superbly low distortion and noise, the Musical Fidelity Nu-Vista 800.2 didn’t have a readily discernible sonic character. Yes, Michael Fremer did write in his review of the original 800 amplifier that “There’s no mistaking the velvety, delicate sound of a nuvistor front end,” and I did indeed find the 800.2 easy on the ears. But Michael also wrote that while “CDs with a touch of hard edge and brightness were suitably softened and corrected, those that were hopelessly hard and bright remained so.”

I found that to be the case with the Musical Fidelity amplifier. It is exceptionally revealing of what was on the recordings I played or, with the loudspeakers I used for my auditioning, their intrinsic characters. But with its tight grip on the speakers’ woofers, its sense of almost unlimited power, its superb soundstage definition, and—again—that sense of ease to its presentation, the Nu-Vista 800.2 gets an unreserved recommendation from this audio critic.

https://www.stereophile.com/content/burmester-216-power-amplifier

The Burmester website lists basic specifications, like power output; some others appear in the owner’s manual. I’ve placed these in the Specifications sidebar. Here are some of the important ones. In stereo, the 216’s maximum output power is 100Wpc continuous into 8 ohms, 165Wpc into 4 ohms, and 245Wpc into 2 ohms. Continuous power when bridged to mono is quoted only as a maximum: a formidable 490W—no load impedance mentioned. In response to a query, Pope told me it was safe to report that when bridged, the 216 is capable of doubling the stereo output. For more on the 216’s technical performance, see the Measurements section.