Audiophilepure

The RP-5 v2 required a fairly long break-in period before it sounded its best. So please be patient with it. I do wish the upgraded remote was the included remote but the one that comes with it worked fine and is probably pretty reliable. I wanted to hang on to the review unit to toss around the idea of purchasing it, but Rogue has asked me to return it so they can upgrade the firmware as this was a very early production unit. This should resolve an issue where the display would freeze and the only way to fix it was through a power reset.

This preamplifier may not be for everyone, but its build quality and musical prowess make it a must- audition for anybody in the market for a new preamplifier. I may very well request one for purchase in the coming weeks. Either way, I will always remember this as a fun and fluidly musical component that is highly flexible with its myriad hook-up options, phono stage, and headphone amp.

In today’s market where we have incredible TOTL DAPs and good mid-range offers, where does the Tsuranagi stand? Does it make sense to pay a huge cash for a portable IEM amplifier, or is it complete nonsense? That’s a question I wouldn’t answer for you since everyone has different expectations and budgets. But I can give my two cents about this rather mysterious unit, so you’d have a certain idea.

The Tsuranagi is a true reference-sounding amplifier in my opinion. Its sound is so good, that you, in time, become obsessed about trying it with every possible high-end IEM in your possession. It lays down a fantastic picture of sound in a wide sound stage with an incredibly nuanced and effortless presentation. Simply put, this is by far the best-sounding portable amplifier I’ve ever tested. I couldn’t get the type of performance I get from the Tsuranagi from TOTL players’ output alone. I of course don’t count the likes of DMP-Z1 or Lotoo Mjölnir in super high-end.

The Soundz website features a configurator tool for personalizing CIEMs and UIEMs. This tool allows you to customize shell colors, faceplates, and logos, including premium options like gold plating logos or custom artwork. There are also more complicated and bespoke faceplate designs, such as the Galaxy, which is what the faceplates on my CIEM feature. This tool also allows you to add the excellent technology called Flex Fit Pro nozzle, which we’ll talk about in the next section. Moreover, the configurator tool includes optional choices for various ambient filters and cables to suit individual preferences, such as on-stage use. Soundz is continuously expanding its range of customization options, so it is better to keep an eye on the configurator. One caveat is that they don’t offer many shell colors, but I’m sure they’ll be adding these options in the near future.