Audiophilepure

https://www.stereophile.com/content/mofi-electronics-sourcepoint-8-loudspeaker

To say that I am pleased with the Mobile Fidelity SourcePoint 8 speakers is an understatement. But before I sum up, let me get the few caveats out of the way. First, these speakers do not delve into deep bass, though except on a few specific tracks (including those with prominent low-Fs and F^#s on piano or bass) and in direct comparison to much larger speakers, you’re unlikely to notice that anything is missing. Second, although I have enjoyed larger loudspeakers at higher levels than the SourcePoint 8s are capable of, this would not be a practical constraint for most serious listeners. Third, the SourcePoint 8s should be evaluated at ear level. Truly, these are less caveats than application notes.

https://www.soundstageultra.com/index.php/equipment-menu/1198-perlisten-audio-s5t-loudspeaker

Perlisten Audio’s S5t loudspeaker manifests the no-nonsense, performance-first approach you’d expect from a decades-old company that is continuing to refine a winning formula. This process of refinement is still fueled by the desire to build something unique, which spurs technical innovation. Marked by its sterling neutrality across the frequency band, the S5t’s most distinctive feature is its DPC array, which produced one of the most convincing and holographic stereo images I’ve heard. While not quite full range in my listening space, the S5t, thanks to its well-controlled, linear bottom end, should be nearly full range in listening rooms of more typical dimensions. The S5t is built to a high standard, and the high-gloss finish of my review samples looked beautiful. It would complement any modern decor. All aboard the hype train: Perlisten’s S5t is the real deal.

https://www.hifinews.com/content/avalon-eidolon-speaker

This loudspeaker challenged what I knew about sound reproduction on multiple fronts. Designer Neil Patel has demonstrated an uncompromising attitude to the very essence of recorded performance and musical expression. His Eidolon could have been bigger, louder, and possessed greater slam, but it couldn’t have simultaneously demonstrated the most serious approach to perfection I’ve heard.

Summarising the technical performance, as costly speakers go, this floorstander has a moderate footprint, superb finish, average sensitivity and amplifier loading, but very good power handling. It delivered a very smooth, very extended frequency range with superb off-axis consistency and low distortion. Its build and technologies are essentially of the highest quality while self-noise and stored energy are at an all-time low.