Audiophilepure

https://www.soundstagehifi.com/index.php/equipment-reviews/1955-anthem-p2-stereo-amplifier

Considering inflation and industry changes, the P2’s current price—one penny under US$5000—is still very reasonable for what it offers. Were it priced higher, I’d expect better casework, which typically raises a product’s cost substantially without improving the sound. A longer warranty would be nice, but, frankly, five years is the standard and anything more is an exception. As it stands, then, the P2 delivers strong value, especially for those who prioritize performance over aesthetics.

My recent listening also confirms why this amp has endured. It sounded excellent at any output level—not just for the money, but in absolute terms, which means Anthem aced the original design. I think Anthem could keep selling the P2 unchanged for another 20 years and it would still hold up.

Volume control is independent for each input source, which can be useful in certain situations, for instance, to adjust for a source with a deviating output level. However, it can be inconvenient that this behavior cannot be changed. When switching between inputs to compare different sources, you have to adjust the volume for each source repeatedly. This can also lead to unexpected and unpleasant experiences if you leave a previously used input at a loud level, switch to another source, and then lower the volume. In this case, you might be caught off guard by the sudden loudness when you return to the first input.

The inputs for the Preamp and DAC can only be toggled through from the front panel, so only up/forward, not down/back.

The volume can be adjusted in 0.25 dB steps, which is a rare but very welcome feature. However, the volume adjustment operates at a single speed and does not increase when the volume dial is turned quickly or the remote control’s volume button is pressed for a longer duration. This means that more turns are needed to achieve the same level change as with the more common volume controls that use half-dB or whole-dB steps.

https://www.soundandvision.com/content/svs-sb-5000-subwoofer-review

ARE has been in the offing since last year, when I asked SVS about it they provided me insight behind the delay in releasing this feature. It was an “off the record” conversation though, so I’m not at liberty to divulge much, but I can say they were working overtime ensuring it would function correctly across the wide spectrum of cellphone makes and models available. They’re targeting the official launch of Auto Room Equalization for CEDIA 2025, which is in September, so it may be available around the time you’re reading this. SVS will likely provide an official press release as well.

Tuning aside, another part of any subwoofer setup that can prove challenging is cabling; it’s not always easy to find an aesthetically pleasing way to route a cable from your electronics to a distant subwoofer. SVS has you covered there with the optional SoundPath wireless adapter. The SB-5000 comes standard with the requisite USB port to accommodate one, should the need arise. The SoundPath is quite affordable, especially when you factor in how much easier it can make your life.