GOLDPLANAR GL2000 REVIEW
June 12, 2021 Comments Off on GOLDPLANAR GL2000 REVIEW
Coming from a Chinese manufacturer, the build quality is actually very good. The headphone has all-metal yokes and the headband is fitted nicely with a good feel of sturdiness. The earcups are from plastic material, but they also feel very good and there’s absolutely no crackling noise whatsoever. Considering the fact that this makes the headphone lighter, I think it’s a good design choice and the plastic quality is excellent.
Design-wise the headphone obviously resembles the Hifiman headphones. Yet, it looks quite cool and a bit futuristic and the silver color gives it a nice sleeky look. The GL2000 indeed looks very fresh and clean-cut. I quite liked the design overall, very good job.

Sonus faber Maxima Amator Loudspeaker Review
June 12, 2021 Comments Off on Sonus faber Maxima Amator Loudspeaker Review
https://www.hifinews.com/content/sonus-faber-maxima-amator-loudspeaker-page-2
And that seems to be the story with these speakers: playing the McGarrigles’ Dancer With Bruised Knees [Warner 7599-25958-2] the harmonies on, for example, ‘Perrine Était Servante’ are wonderfully delicate and breathy, with great body to the accompanying instruments. The same goes for folk group The Unthanks’ ‘Hawthorn’ from their Mount The Air album [Rabble Rouser Music RRM013] where the Maxima Amators ensure these voices just hang in space in an entirely captivating manner.
Then, turning to a real demo warhorse, Antonio Forcione and Sabina Sciubba’s Meet Me In London [Naim CD021], sees the duo’s take on ‘Why Can’t We Live Together?’ revealed here as notable not only for the power and scope of the voice as for Forcione’s guitar stylings and whipcrack fretboard taps. You’d almost think it was an Italian thing!

KEF KC62 subwoofer Review
June 11, 2021 Comments Off on KEF KC62 subwoofer Review
https://www.stereophile.com/content/gramophone-dreams-49-kef-kc62-subwoofer
I will spare you the details of my experiments. Suffice it to say I preferred the LS50s running through the KC62’s high-pass filter set to 40Hz. Relative to baseline, response was now +2dB at 40Hz, –5dB at 31Hz, and down just 20dB at 20Hz! Midrange clarity improved even more. But what impressed me most was how now, with the LS50s running through the high-pass filter, subtle changes in rhythm and tempo became more obvious. After getting nice measurements, I put on a variety of piano recordings and used them to tweak the woofer’s level. I turned it down until the keyboard’s upper, mid, and lower registers connected seamlessly. With the KC62 sub, the LS50s sounded more relaxed, tonally even, and natural.

LA SOUND “CORIUM” LOUDSPEAKER AND INTERCONNECT CABLES REVIEW
June 11, 2021 Comments Off on LA SOUND “CORIUM” LOUDSPEAKER AND INTERCONNECT CABLES REVIEW
LA SOUND “Corium” loudspeaker and interconnect cables
Silver has a reputation for sounding bright, and I’ve certainly encountered that, but even with solid-state electronics the Corium cables never became forward or aggressive. I read that LA SOUND considers the pure silver models to be better suited to valve electronics and they would certainly work a treat with them, but if your transistor system is well sorted they only make the sound more real and enthralling. I had a particularly entertaining evening with these cables and some German Physiks HRS-130 speakers which are also extremely revealing; even the raw power of the Smashing Pumpkins’ Siamese Dream (Hut Recordings) didn’t push them over the edge. I have to say that the LA SOUND Corium cables have restored my faith in silver as a conductor, it’s theoretically the best material there is but this theory has not often been proved so conclusively.

Violectric HPA V550 PRO Headphone Amplifier $2799 Review
June 10, 2021 Comments Off on Violectric HPA V550 PRO Headphone Amplifier $2799 Review
The balanced amplifier circuit is a variation of the 2009 design, although it is now compatible with lower impedance loads. The PRE-GAIN stage implemented in the Violectric headphone amplifiers ensures not only a low noise floor, but also precise control of output levels due to the ability to tailor the sensitivity of the pre-amplifier stage. The volume control is an impressive piece of engineering, as the ability to execute a 256-step volume control with .4 dB increments is nothing short of amazing. Finally, the HPA V550 PRO is a solidly designed preamplifier, and can function equally well in a traditional two channel audio system. If you are searching for a high-performance headphone amplifier then give the Violectric HPA VM550 PRO serious consideration, as there are very few products in the audio world that are built to this level of sophistication.


Gold Note Mediterraneo Review
June 10, 2021 Comments Off on Gold Note Mediterraneo Review
https://www.hifichoice.com/content/gold-note-mediterraneo
The resident orchestra of Amsterdam’s Concertgebouw performing Beethoven’s Symphony No.6 under the baton of Bernard Haitink is a recording in which the string section enjoys exceptional sweetness. The Mediterraneo dutifully captures the delightful string tones during the quieter sections, while the majestic swells possess a wonderful acoustic ambience without ever sounding strident or harsh. This recording is notable for its lack of pinpoint imaging, but the orchestra sounds just as I would imagine it in the hall, ranged across a wide concert stage without undue spotlighting of individual instruments. Despite this, a little fine detail is lost to the warm euphony of the deck’s presentation.

CHORD ELECTRONICS ULTIMA 5 STEREO POWER AMPLIFIER REVIEW
June 9, 2021 Comments Off on CHORD ELECTRONICS ULTIMA 5 STEREO POWER AMPLIFIER REVIEW
Chord Electronics ULTIMA 5 stereo power amplifier
In short, then, the Chord Electronics’ ULTIMA 5 is monumentally capable. It has a reasonably uncommon combination of on-paper promise (all that innovative engineering, all those colossal numbers), visual drama (especially if you’re into the whole steampunk/Alan Moore aesthetic) and implacable performance that makes the asking price look as if entirely reasonable. It certainly doesn’t make any demands of you in terms of the type of music you prefer to listen to; the ULTIMA 5 plays no favourites and is as happy to explain the motivations of a king-sized symphony orchestra in full attack mode, as it is those of a rapper with a sampler and an 808.


SOFTEARS RSV REVIEW
June 9, 2021 Comments Off on SOFTEARS RSV REVIEW
on the left. The IEM looks really nice and I quite liked it.
Build quality is very good as well, as the earpieces are unibody including the nozzles. The sound bores are cut nicely too, and the faceplate closing is perfect. However, the recessed 2-pin sockets could’ve designed better with a deeper fit. It’s a recessed design but it’s actually not fully recessed so the cable connectors move slightly. It’s not a big deal, but I think they can improve that with a fully recessed design all the way down.

Marten Parker Trio Diamond Edition loudspeaker $36,990 Review
June 8, 2021 Comments Off on Marten Parker Trio Diamond Edition loudspeaker $36,990 Review
https://www.stereophile.com/content/marten-parker-trio-diamond-edition-loudspeaker
I had been invited by the late Peter J. Walker of Quad to record this performance by his local orchestra accompanying no fewer than 200 singers in England’s Ely Cathedral, in a performance celebrating the 50th anniversary of the composer’s death. I was eagerly anticipating making the recording in the cathedral’s superbly supportive acoustic and had scoped out what I felt would be the optimal position for Calrec’s then-new Soundfield single-point microphone. Using the controller for the microphone’s four capsules, I was able to synthesize a crossed, coincident pair of figure-8 microphones to make the stereo recording. However, when I arrived to set up my gear, the cathedral staff insisted that I had to place the microphone 12′ above conductor Christopher Brown’s head.

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