Revel Performa M126Be Bookshelf Speaker$ 4,000 Review

September 7, 2019 Comments Off on Revel Performa M126Be Bookshelf Speaker$ 4,000 Review

Read Here

“The above graphs show the Revel M126Be speaker’s low-frequency responses that I captured using groundplane measurements (where the speaker and microphone are on the ground in a wide-open area). Revel characterizes the low-end response as -6 dB at 54 Hz, and this is a conservative spec by my measurements. In ported mode, the response knee pretty much starts a bit below 60 Hz, and there is usable output below 50 Hz. I also measured the M126Be with its port plugged. We can see that it reduces output below 100 Hz. This might be handy for those who are getting too much of a bass boost from having to place the speaker near large room surfaces. Overall, the responses shown here are quite good and shows a well-implemented port. This is a bookshelf speaker with solid extension down to 50 Hz, and that range will cover most music recordings, especially of acoustic music. Those who don’t need deep bass can get by without a sub, but those who want the subterranean thunder of modern action movies will certainly want to add a sub. I think the 50 Hz extension is a very reasonable frequency to aim for. It covers much conventional music without trying for deep bass which would have incurred a big penalty in sensitivity.”

Naim Nait XS 3 review

September 7, 2019 Comments Off on Naim Nait XS 3 review

Read Here

“The Nait sounds more energetic and entertaining. It takes the multitude of musical strands in Arvo Part’s Tabula Rasa and combines them to deliver a musical and emotionally absorbing performance. Detail resolution is good, but it’s the amplifier’s ability to assemble all that information into a cohesive whole that really impresses.”

Krell K-300i $7,000 Review

September 6, 2019 Comments Off on Krell K-300i $7,000 Review

Read Here

“Just a quick note about the HDMI performance of the K-300i. In a word, it is phenomenal. Watching Mary Queen of Scots, my wife and our friend agreed, it was like we had upgraded our modest Epson projector several levels. Color saturation and detail rendition was startling as was the contrast and brightness. If you are like me and your audio system does double duty as your home theater, the upgrade in video quality alone not to mention the ease of integration is worth at least half the overall cost the K-300i.”

NAIM NDX 2/XPS DR MUSIC STREAMER AND PSU REVIEW

September 5, 2019 Comments Off on NAIM NDX 2/XPS DR MUSIC STREAMER AND PSU REVIEW

READ HERE

” also contrasted the NDX 2 with and without the XPS DR power supply, it sounds very good indeed without the supply but the extra control that the XPS DR brings does give everything more power, weight, and authority. Dynamics benefit from this and bass lines have a solidity that brings substance to the whole picture. It’s not essential and I enjoyed the streamer with its onboard supply for some time before adding the XPS DR: however, going back proved to be a less enjoyable experience. I’m told that the 555 PS represents a considerably bigger jump but it costs £2,600 more so you’d want a decent result even in the high-end world of diminishing returns.”

MR SPEAKERS AEON FLOW HEADPHONES $800 REVIEW

September 5, 2019 Comments Off on MR SPEAKERS AEON FLOW HEADPHONES $800 REVIEW

READ HERE

“After firing up the Arcam rHead amplifier, I started things off with the London Music Works version of STAY, from the Interstellar soundtrack. As soon as I hit play, the AEON flexed its dynamic range capability as if to invite me to challenge it further. As the organ comes in at around the 1:40 mark, it’s incredibly easy to not only pinpoint its exact location in the mix but also admire the haunting timbre of the instrument itself. The delicate reverb tails from each instrument are replicated perfectly, all the way into pitch black. The track sounds detailed and powerful, and more of an enjoyable listen, rather than a clinical one. The soundstage here is relatively good but doesn’t deliver as many crazy “out of the head” moments as say, the Sennheiser HD800.”

EMPIRE EARS VALKYRIE REVIEW

September 4, 2019 Comments Off on EMPIRE EARS VALKYRIE REVIEW

Read Here

“I mentioned it in the disclaimer, I received a prototype for this review. Thus my unit does not reflect the final production design. Valkyrie will come with a black shell and a dragonhide face plate. The developer of the design currently holds 2 patents in polymer science for high solids coating chemistry and the process itself was developed over the past 17 years. Dragonhide features a unique Dichoric optical core within each lamination, resulting in dramatic color shifts as the viewing angle changes.”

Aperion Audio Novus 5.0.2 Speaker System Review

September 4, 2019 Comments Off on Aperion Audio Novus 5.0.2 Speaker System Review

https://hometheaterreview.com/aperion-audio-novus-502-speaker-system-reviewed/

“Setting the speakers up is fairly straightforward. As there isn’t anything too unconventional about their design, they don’t require anything particularly special in terms of placement. If this is your first time setting up a pair of surround speakers, I’d refer you to the user manual for helpful tips on proper setup. Potential buyers should note that the A5 height and surround bookshelf speakers don’t come with wall mount brackets in the box, so be sure to get yourself a couple with rated weight support for these speakers if you need them mounted.”

Sony WF-1000XM3 Noise-Canceling Truly Wireless Earbuds Review

September 2, 2019 Comments Off on Sony WF-1000XM3 Noise-Canceling Truly Wireless Earbuds Review

Read Here

“As far as codecs, the Sony WF-1000XM3 only supports AAC and SBC, not even AptX HD or Sony’s own LDAC. I believe this is due to the bandwidth limitations of having each earbud connect to your device – which improves stability. Which is probably more important – I guess.”

Vimberg Mino Loudspeaker Review

September 2, 2019 Comments Off on Vimberg Mino Loudspeaker Review

Read Here

”
From what I’ve learned regarding how Jorn was able to reduce the overall cost of the Vimberg speaker line, for starters – although sourced from Accuton, the drivers for the Vimberg line are from the standard stock of drivers rather than the much higher costing custom units that are made exclusively for the Tidal line. Another cost reduction process has to do with the finish. For the Vimberg line, Jorn uses a special machine for the finishing process. Additionally, the finish is approximately one-half as thick as the meticulous, labor intensive, manual process used for creating the stunning finishes of the Tidal speakers. Beyond that, the highly polished stainless steel mounting brackets and feet for the Tidal speakers has been replaced on the Vimberg with glass-pearl streamed anodized aluminum units. Obviously there are more areas where Jorn was able to trim costs but for high-level understanding, these are the primary areas that provide a significant amount of the cost reduction for the manufacturing process of the Vimberg loudspeakers.”

MARANTZ PM-KI RUBY INTEGRATED AMPLIFIER £3,500 REVIEW

September 2, 2019 Comments Off on MARANTZ PM-KI RUBY INTEGRATED AMPLIFIER £3,500 REVIEW

Read Here

“My first experience with this amplifier was in tandem with the matching SA-KI Ruby disc player/DAC and Revel 126Be loudspeakers, which produced an extremely polished and refined result but not one that was in danger of causing the listener to break a sweat. This was a case of three rights not adding up to a wrong but neither was it a successful combo, so I concentrated on the player in a variety of systems and left the amplifier to fend for itself. And it fended rather well once I had found a sympathetic speaker. That said it didn’t do badly with my usual choice of transducer, the PMC Fact.8, which brought out the musical skills of the PM-KI Ruby rather well. I spent some time listening to vinyl spun on a Rega RP10 with Aphelion MC cartridge and was pleased to find that the MC stage on the amp had sufficient gain to produce a dynamic result where the recording warranted it. Not all my favourite music is that well produced, however, and where compression has been used the Marantz will make it fairly clear. It’s a usefully transparent amplifier albeit one with a refined presentation that can fool you into thinking that it’s smoothing over the fine detail. In fact, it’s just very fine grained and revealing – put on something raw and it will sound that way. There’s decent power and drive on Ryley Walker’s Primrose Green[Dead Oceans] but it is reined in by the annoying powers of limiting. And yet that doesn’t get in the way of the music, which is close to the performance you’d expect from a decent standalone phono stage. ”

Where Am I?

You are currently browsing the Reviews category at Audiophilepure.