Schiit Freya + Preamplifier $899 Review

July 11, 2019 Comments Off on Schiit Freya + Preamplifier $899 Review

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“Schiit have taken their already well-received Freya preamp and have incorporated modifications that fans of the company have eagerly asked for. With a remote control set to the potentiometer and near distortion-free tuning, the Freya plus represents a newly improved preamplifier that would work well in any audiophile’s set-up. The chassis feels and looks incredibly sleek and with the new fasterlessness design fits well with Schiit’s ‘Made in America’ product range. Nestled at the top of their price-performance curves, Schiit does not disappoint with this new amplifier which adds a delightful tuning yet flexible approach when dealing between existing source components. It will be interesting to see if there is enough demand for this product to survive Schiit’s ‘Thunderdome’ concept. For this reason, I would strongly urge readers to try this product for those seeking a smart preamplifier solution to their audiophile needs.”

SVS Prime Pinnacle Loudspeaker $1,600 Review

July 11, 2019 Comments Off on SVS Prime Pinnacle Loudspeaker $1,600 Review

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“While moving the SVS towers closer to or further from the wall increased and decreased overall bottom-octaves balance by obvious degrees, it did so with somewhat less tendency to emphasize the “boom” octave centered around 80 Hz or so than I’ve experienced from some other tower speakers. I posit that the Prime Pinnacle tower’s three woofers, each at a different height from the floor, mitigates the floor-bounce (or “Allison effect”) of low- frequency first reflection from the floor inducing a peak-dip-peak as it rejoins the direct radiation—first subtractively, out of phase, and then additively, in phase, and so on. More accurately, this must create a series of closely spaced floor-bounce response ripples, but the overall effect seems to be to smooth 50-150 Hz response a good bit, even when fairly close to a wall. This is a welcome additional benefit, and quite possibly another factor in the slim multi-woofer tower trend.”

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PRO-JECT RPM 5 CARBON TURNTABLE / SUMIKO AMETHYST CARTRIDGE $1595 REVIEW

July 11, 2019 Comments Off on PRO-JECT RPM 5 CARBON TURNTABLE / SUMIKO AMETHYST CARTRIDGE $1595 REVIEW

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“This chart shows the frequency response and channel separation measurements of the RPM 5 Carbon/Sumiko Amethyst combination. While the response remains flat for most of the bass and midrange frequencies, this cartridge runs about 2 dB hot at 20 Hz before flattening out by 50 Hz. The response remains linear until 3 kHz where we begin to progress to a 2 dB dip centered at 5 kHz. At this point, the Left and Right channels diverge whereby the Left trace gets to a 2 DB peak from 12 kHz – 16 kHz before arriving at a 1 dB dip at 20 kHz while the Right trace gets to its 2 dB peak at 16 kHz before meeting up with the Left channel again at 20 kHz. The channel separation components seem to stay pretty close to each other through most of the range.”

LOUDSPEAKERS WILSON AUDIO TUNE TOT STAND-MOUNT £10,998 REVIEW

July 10, 2019 Comments Off on LOUDSPEAKERS WILSON AUDIO TUNE TOT STAND-MOUNT £10,998 REVIEW

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”
Obviously the caveats are going to be well understood by anybody in the market for these Wilsons. But once you have come to terms with that I reckon you will be surprised at how good they are with horns and orchestral pieces. There is no sense that the music is being squeezed out of such a small box. No unwanted edge or tonal nasties from the cabinet. Even drums are enormously coherent and totally understandable as are pianos, often a real contentious proposition for such small speakers. This is due to the superb way they cope with the leading edge, or attack of instruments and voices. Vocals and solo acoustic guitar can be mesmerising. Don’t expect to feel your chest cavity resonate along with the Timpani though.

These tiny Wilsons completely live up to the reputation of quality, long established by the company. They are a niche product in so many ways. Designed to allow you access to very high quality music in situations where few speakers even begin to work. They take full musical advantage of all the great things that a small speaker can provide. Speed, lightness of bass touch, out of the box sound staging, and the ability to start and stop very, very quickly… these are all strong points of the Tune Tot and are vital to good music making. They have exceptional pace and pinpoint timing if your installation is precise and tonally they never stop surprising, even at surprisingly low levels.”

VALVET A4e Monoblock amplifier $9,890 Review

July 10, 2019 Comments Off on VALVET A4e Monoblock amplifier $9,890 Review

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“The Valvet A4e Mono-Blocks mated with my highly efficient (98dB!) Tekton Double Impacts wonderfully. Even with a solid state preamp in the mix, the music felt very relaxed, rich and sounded, in a word, lush. Each note was delivered with panache over the brute force of other power amplifiers and in a way that subtly coaxes and charms the listener to continue their musical journey rather than submit to over-arched and brutally dynamic intensity. These Valvet a4e’s are the real deal… get where I’m coming from?”

FiiO M7 Digital Audio Player $199 Review

July 9, 2019 Comments Off on FiiO M7 Digital Audio Player $199 Review

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“A discriminating DAP buyer, given the means, could easily spend two, three, or more times the Fiio M7’s price, yet only modestly outpace its sonic performance. I found the M7 to be an outstanding value that had a quick and intuitive user-friendly interface and sonically valued detail and transparency. In A/B comparisons to DAPs three times its price, the M7’s presentation was perhaps a bit too forward and bright, but compared to DAPs of equal or slightly higher price, Fiio’s M7 proved a sonic heavyweight to be reckoned with. For an example of the open transparency I came to associate with the M7, listen to the Gary Bartz’s opening saxophone on “Love Ballad” from the 1977 jazz-fusion classic Music Is My Sanctuary [Capitol]. The effortless detail and space around Gary’s saxophone immediately let you know the M7 is worth every penny. For $199 you are going to have a tough time finding better bang for your buck.”

Primare Prisma I15 Integrated Amplifier/Dac $1,999 Review

July 9, 2019 Comments Off on Primare Prisma I15 Integrated Amplifier/Dac $1,999 Review

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“Leaving to one side the late French maître’s insistent and occasionally heavy-handed Catholic mysticism and bird- song obsessions, Messiaen’s cornucopia of colorful sonic delights is nearly boundless. Listening to a performance of Eclairs sur l’Au Delà (Lightning over the Hereafter) , a late orchestral work, I was stunned by its ninth section, an astonishing, rhythmically free representation of forest birdsong that may well be the best musical representation of a naturalistic soundscape ever composed. The tumbling, teetering jumble of high woodwinds—flutes, piccolos, clarinets—demanded clarity, treble finesse, and top-octave air in great quantities, and the Prisma I15’s digital-to-analog and amplifying processes delivered these unrestricted for one of those literally hair-raising listening moments.

Bel Canto Designs e.One Stream Review

July 8, 2019 Comments Off on Bel Canto Designs e.One Stream Review

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“For this review I used a dedicated Apple MacBook Air 11-inch running the latest version of Roon sewn up via Thunderbolt-to-Ethernet to a four-port 10/100/1000 router. The e.One was connected off the router then fed into the line stage of a McIntosh Labs C2600 tubed preamplifier via its unbalanced 2V output, or into the C2600’s internal 32-bit/384kHz DAC through its SPDIF/Coaxial output bypassing the internal e.One DAC completely. The C2600 in turn was driving a pair of McIntosh MC611 mono blocs hooked into a pair of Harbeth M40.1 loudspeakers. All analog, digital and speaker cabling was a mix of TelluriumQ Black, Ultra Black and Diamond. AC cabling was TelluriumQ Black (for the e.One) and PS Audio for everything else. Clean power was supplied by a Power Plant 20.

Paradigm Premier Series Speaker System Review

July 7, 2019 Comments Off on Paradigm Premier Series Speaker System Review

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“The Surround 1 speakers come with a wall-mount bracket, safety strap, and a stencil guide to properly attach the speakers to a wall if you aren’t placing the speakers on a flat surface. The wall-mounting process was relatively straightforward; however, I found having an extra set of hands available made the mounting process easier.

A personal litmus test that I have for speakers is that they have to look good without grills. The Premier Series speakers pass this test with flying colors. I doubt many will complain with how these speakers look, which should help ease the frustrations of weary significant others less keen on having large speakers in the house. The 700F, in particular, looks stunning without its grill on. These speakers would make a statement in just about any room. The speaker grills are magnetic, too, which I prefer allowing the cabinet to have a cleaner, more seamless look when the grills aren’t attached.”

Aric Audio Alpha 300B Push Pull Amplifier World Premiere Review

July 7, 2019 Comments Off on Aric Audio Alpha 300B Push Pull Amplifier World Premiere Review

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“Since I had warming tubes in front of me, and a room full of vinyl, my choice was obvious. A quick cleaning cycle on the OkkiNokki Record Cleaning Machine and Beth Hart’s “37 Days” album was ready for a spin. It was time for my favorite choice, and of the three turntables the Pro-Ject RPM 5 Carbon gets the nod. Have spent the past several weeks with a turntable / preamp / amplifier setup I enjoyed via the Pro-Ject turntables, Parasound pre-amp and Bryston amp. Swapping the Bryston amplifier for the Aric Audio amplifier was the most logical way to begin the review session.

Connections from the Pro-Ject RPM 5 Carbon turntable to the Parasound JC 3 Jr. Phono Preamp were completed with the Audioquest Big Sir RCA cables. The Audioquest Mackenzie (XLR) balanced cables fed the signal to the balancing inputs on the Audio Research LS27 preamplifier (coming from the Parasound JC3 jr outputs). Normally, I would connect to the Bryston amplifier with Audioquest Mackenzie (XLR) balanced cables. As mentioned earlier, the XLR’s were swapped for the Audioquest Big Sir RCA cables.”

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