Audiophilepure

https://www.hifinews.com/content/top-20-mono-albums

Kenny Burrell & John Coltrane
Kenny Burrell & John Coltrane
Craft Recordings CR00720 LP 180g vinyl (mono)

From the Original Jazz Classics Series [see Red Garland], this LP from 1958 sounded so wide, I had to check if it was stereo, even contacting Cohearent Audio’s Kevin Gray. Again, expecting stereo at the hands of Rudy Van Gelder, Gray and Craft confirmed the masters were mono. No matter: guitarist Burrell and sax god Coltrane, along with Tommy Flanagan (piano), Paul Chambers (bass) and Jimmy Cobb (drums), fill the room

Using BluOS with either the PSB Alpha iQ speakers or the NAD Masters M66 Streaming Preamp allows easy high-res audio streaming from any of several integrated streaming sources directly to either component. As it stands, the BluOS platform is the only real direct competitor to something like ROON. There are differences and it isn’t as brand agnostic as ROON is, but BluOS is free when you purchase compatible hardware, and it integrates with far more streaming services and online music sources.

Speaking of hardware, I found the NAD Masters M66 Streaming Preamplifier to be a world-class analog preamp that has extensive digital resources and “Swiss Army Knife” flexibility in the bargain.

The PSB Alpha iQ BluOs Streaming speakers are a fun and great-sounding turnkey streaming solution for small to moderate spaces. Both are great examples, at different ends of the spectrum, of what the BluOS platform can do.

With one balanced and one unbalanced input, it’s easy to connect a phono preamplifier and your favorite DAC (or the great L-07). It also proved to be a great match for my vintage ESS AMT-1b’s out in the garage system. Bass is tight and controlled, and the highs are reasonably smooth. The amplifier also manages to throw a very wide soundstage. We’ll go into further detail and explore some more speaker combinations in the full review.

I love the L-07 because it’s a great place to start your audiophile journey on a reasonable budget. I bought the review samples to keep around as an example of what can truly be accomplished at this level. If you’re a well-heeled audiophile and want to get a friend or a friend’s kid into the game – buy them one of these, and away you go.

https://www.theaudiobeat.com/equipment/vtl_s200_signature.htm

These attributes were replicated with jazz. Drummer Tony Williams’s first recording, Life Time, was reissued in the Tone Poet series [Blue Note 602448321534], and it is a perfect example of how much better some reissues can sound than the more collectable original pressings. The original Blue Note release sounds a bit pale in comparison to this reissue — a stereo issue that neatly avoids the more common left-center-right Rudy Van Gelder staging miscue. The Tone Poet reissue reproduces a soundstage that occurs in a believable space. The drum kit sounds as well recorded as on any Williams recording — in terms of dynamics, size and depth. My favorite cut, “2 Pieces of One,” features both Richard Davis and Gary Peacock on bass, and their lower ranges were articulate with the S-200, yet dense without the slightly lush bass sound that many systems reproduce. The S-200’s extra horsepower delivered tight low bass and articulation of Sam Rivers’s tenor saxophone in its lower registers. Even for 1964, Life Time is unpredictable, with the composition going off in unexpected directions. Timing is essential to its proper reproduction, and the VTL amplifier had no trouble keeping up. A lesser amplifier might imbue a trace of sluggishness that was totally absent with the S-200.