PMC Twenty.26 Floorstanding Speaker Review

January 9, 2016 Comments Off on PMC Twenty.26 Floorstanding Speaker Review

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“These qualities are apparent with everything you play but if there’s a voice in the mix the transparency of that midrange dome lets you know just what it’s feeling and how it’s being articulated. This is true of Adele, Joni Mitchell, John Lurie and well, everyone else I played. Some have been recorded better than others of course and that is not down played, you get big differences between recordings, Ryan Adams’s Gold on DSD is in the room real while a live recording of the same artist puts him in the venue where some canny German managed to get such a great sound. But you know it’s him and you know what he’s saying. I particularly like the way that the twenty.26 is so revealing in the context of an effortless presentation. You get a lot of slightly bright speakers that deliver oodles of detail but the balance gets in the way of the music. That is not the case here, this speaker is a slave to the signal, the better that signal is the better they sound.”

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CAMPFIRE AUDIO JUPITER REVIEW IEM | – Review

January 9, 2016 Comments Off on CAMPFIRE AUDIO JUPITER REVIEW IEM | – Review

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” Its a minor inconvenience but when nitpicking is the single and solitary flaw I found on the Campfire Audio Jupiter in any of the review categories. Of course this is all relevant because its still an excellent cable its just not one of the best…. hmm maybe a reason to order another Labkable for these beauties. ”

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THIEL TM3 Bookshelf Speaker Review

January 6, 2016 Comments Off on THIEL TM3 Bookshelf Speaker Review

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” As many speaker manufacturers have sought to trickle down some of their best technologies from their flagship lines, this means that there is quite a lot of competition for the THEIL TM3 speakers at lower prices. At $1,000 less per pair than the THIELs, the B&W CM6 S2, which serves as my own reference bookshelf speakers, featuring its tweeter-on-top design, delivers a top end that has better resolution, openness, and overall life-like presentation than the TM3. It’s also easier to pair with amplification. However, the THIEL’s ultra-neutral sound and rich, smooth midrange may be more appealing to some”

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RAVEN AUDIO BLACKHAWK LIMITED EDITION REVIEW

January 6, 2016 Comments Off on RAVEN AUDIO BLACKHAWK LIMITED EDITION REVIEW

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” The results suggest my first reaction was the correct one: that the songs survive better than Coverdale’s voice. All the modern production and metal techniques do not really help the music swing as Purple recorded it. Nonetheless, this album rocks hard and the wall of sound provided by Whitesnake comes through with energy and a fair degree of punch on the Raven-driven Vons. On more than one occasion I found myself cranking the volume and smiling to myself as those old riffs leapt out of the speakers. No, this is not audiophile-approved listening but it is fun,”

Raven Audio Blackhawk LE Pinot Noir Top Front

KEF Q500 LOUDSPEAKER REVIEW

January 6, 2016 Comments Off on KEF Q500 LOUDSPEAKER REVIEW

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” As stated earlier, one of the goals of the Uni-Q design was to improve off-axis stereo imaging and the uniformity of tonal balance across the listening area. The listener is not, therefore, as limited to a central sweet spot as with conventional speakers. Based on the various speaker placement locations I tried, I must say that some level of success was achieved. This is in contrast to my reference, the Sunfire CRM-2, whose optimum soundstage only occurs within the confines of a small well-defined sweet spot, causing Robert Harley to comment in his review [Issue 183] that “every parameter must be perfectly dialed-in to realize the CRM’s potential.” Though each placement I tried with the Q500 did change the soundstage presentation somewhat, its integrity and tonal characteristics stayed the same.”

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Naim Audio • Statement NAC S1 Preamplifier and NAP S1 Mono Amplifiers $88,000 Review

January 5, 2016 Comments Off on Naim Audio • Statement NAC S1 Preamplifier and NAP S1 Mono Amplifiers $88,000 Review

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” ran the Statements exclusively with the Wilson Sasha 2s, partly because the implications of relocating either product are daunting, but mainly because they simply worked so well together that I felt no need to ring the changes. The Wilsons deliver exactly the sort of enthusiastic dynamic response and slightly awkward load that Naim amps have always thrived on — and the Statement amps are no different. Obviously I haven’t tried it, but I suspect that pairing with Alexias or Alexandria XLFs would prove even more efficacious, with the big Naim monoblocks having both the power and authority to drive either speaker, as well as the musical qualities they demand”

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TAD COMPACT EVOLUTION 1 STANDMOUNT LOUDSPEAKER $24,000 REVIEW

January 5, 2016 Comments Off on TAD COMPACT EVOLUTION 1 STANDMOUNT LOUDSPEAKER $24,000 REVIEW

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” I began this review by trying to unseat a meme. I’m going to end the same way. TAD’s Compact Evolution 1 is an outstanding loudspeaker. Not just a loudspeaker to make big sounds in small rooms. And it’s not just the first choice for TAD users. This is a cogent loudspeaker system in its own right, for people who have no plans to buy any other TAD equipment. Yes, it sounds great in context, but the TAD Compact Evolution 1 loudspeaker sounds great with a number of different amps in a wide variety of locations because it’s a great loudspeaker. Strongly recommended.”

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CHORD MOJO HEADPHONE AMPLIFIER REVIEW

January 5, 2016 Comments Off on CHORD MOJO HEADPHONE AMPLIFIER REVIEW

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” There is no analogue audio input, nor Bluetooth for a cord-free link to a phone, or hi-fi as Astell&Kern use. Whilst Bluetooth limits quality to CD standard, it is convenient for mobile use. Instead Mojo must be connected to both phone and headphones through cables, so taking a call is difficult. It’s common to use a stout rubber band to hold a DAC to a phone; Chord have machined in narrow grooves at each end of the case for this.”

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Audeze LCD-4 Review

January 4, 2016 Comments Off on Audeze LCD-4 Review

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” It gives more of that elusive out-of-head experience that peppers the high end of personal audio like a celebrity sighting in a C & D county. It may be a tricky experience to grasp on paper, but detail in some gear can make your music sound closer, as if your ear is closer to the source and can hear every nuance. The magic of the LCD-4’s execution is that it addresses detail in proper form, but yet somehow manages to place the soundstage further away from your sensory receptors, which provides some experiential relief of sorts from the on-head, on-ear delivery of the device’s up-close-and-personal nature.”

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OPPO HA-1 HEADPHONE AMPLIFIER AND PM-1 HEADPHONES REVIEW

January 3, 2016 Comments Off on OPPO HA-1 HEADPHONE AMPLIFIER AND PM-1 HEADPHONES REVIEW

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” I did try out several other sets of headphones with the HA-1. It did a really nice job of driving the Audeze LCD-3s, giving a good sense of power on tap and excising the sluggishness that I’ve experienced with these ‘phones on other amplifiers. The MrSpeakers Alpha Dog Prime headphones were also a decent match, although having re-tuned them for tube amplification not too long ago, I found that in turn they were a little lean with the HA-1. I kept coming back to the PM-1s, though; it’s inescapably obvious that they were designed with the HA-1 in mind, and they mesh so well that I felt the two together were greater than the sum of their parts.”

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