Krell Chorus 7200 Amplifier Review
March 23, 2015 Comments Off on Krell Chorus 7200 Amplifier Review
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“I lived with the Krell for a few days before really putting it to the test, but I was impressed by its neutral tonal quality out of the gate. Not too bright, not too laid-back. When I finally sat down for some critical listening, I truly started to appreciate how sweet this amp sounded.”
Lear LCM BD4.2 Review
March 23, 2015 Comments Off on Lear LCM BD4.2 Review
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“Nearly all CIEM require routine instructions to place an order. Their makers require your ear mould impression which should be generated by an audiologist. The precise process can differ. Some manufacturers want your face relaxed during this procedure. Others want your mouth fully opened, some want it fully closed. Lear specify an impression that should reach deeply into the second bend of your ear canal for best results”
PSB Imagine X Speaker System Reviewed
March 23, 2015 Comments Off on PSB Imagine X Speaker System Reviewed
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” After making initial speaker and sub settings manually, I listened to a few familiar 5.1 music tracks to get a baseline. The system sounded quite good overall, but bass response seemed a bit heavy. Rather than continuing to fiddle with manual adjustments, I just ran the Audyssey MultEQ XT32 auto room correction software on my pre/pro to see if the software could squeeze out better performance”
SONY NW-ZX2 DIGITAL MEDIA PLAYER – REVIEW
March 22, 2015 Comments Off on SONY NW-ZX2 DIGITAL MEDIA PLAYER – REVIEW
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“Conversely, many portable players lack enough amplifier power to drive low-sensitivity, high-impedance, full-sized headphones to satisfying volume levels. The Sony NW-ZX2 proved to be among the more “headphone-friendly” portable players I’ve tried, in that it supported a wide range of headphone sensitivities.”
Krell Solo 375 Mono-Block Amplifier Reviewed
March 22, 2015 Comments Off on Krell Solo 375 Mono-Block Amplifier Reviewed
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“I was struck by how intimate and warm Krall’s voice sounded. She sounded like she was right in the room with me, about eight feet away, with very little ambience. In fact, based on her voice, I’d almost have thought someone deadened up my listening room with about 30 square feet of Sonex foa”
Entreq Tellus and Eartha Silver Cables
March 22, 2015 Comments Off on Entreq Tellus and Eartha Silver Cables
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“The effect of the Entreq can best be described as a tightening of imaging and soundstaging, with clearer definition between instruments. The most obvious change is the change in depth perception, with the soundstage moving back at least a few rows. The second most obvious change is the pinpoint accuracy of imaging. Although image sizes are smaller, they are clearly defined in space”
Aurisonics IEM Review
March 22, 2015 Comments Off on Aurisonics IEM Review
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“. Overall, generally speaking, the Rockets are built like a tank. If I were to pick out one possible flaw though it would be the strain relief’s where the housings are wired into the cable itself; there aren’t any. Personally, I think in this day and age strain relief’s on the housing end is a necessity”
OPPO PM-2 REVIEW
March 21, 2015 Comments Off on OPPO PM-2 REVIEW
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” ound is undoubtedly top tier and the Oppo PM-2 are certainly one of the bests sounding headphones I have ever heard. When you get to flagship/end game level there is very little between headphones in regards to sound”
Icon Audio Stereo 845 PP Review
March 21, 2015 Comments Off on Icon Audio Stereo 845 PP Review
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“It might not come as a total surprise to learn that the Stereo 845 is warm sounding, although in fairness it’s never gloopy and syrupy, with a bass like it is walking through treacle. Instead it is fast and lithe, but still has a vast thump down south, seeming like the audio equivalent of a JCB.”
Wilson Benesch Endeavour Loudspeakers $49,500 Review
March 21, 2015 Comments Off on Wilson Benesch Endeavour Loudspeakers $49,500 Review
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” . The smaller the overall volume of the speaker, the more constrained the options become, placing ever greater pressure on either available bass extension or efficiency. Balancing these two aspects of compact speaker design is so often the make-or-break decision in any small speaker project. You’ve got to extract enough bass to be musically convincing but do so without creating a monster that needs massive amps just to raise a smile. The world of audio is full of compact speakers that can grab hold of monster monoblocks and suck them dry — all without breaking sweat or into their musical stride. ”
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