Sennheiser HD 598 Review
April 5, 2015 Comments Off on Sennheiser HD 598 Review
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” The 598’s extreme detail, revealed subtleties that are imperceptible on lesser headphones. The music bounced around from ear to ear creating the illusion that we were in the middle of an orchestral performance. The open back design made for a spacious sound stage.”
Blumenhofer Loudspeaker €24’900/pr Review
April 4, 2015 Comments Off on Blumenhofer Loudspeaker €24’900/pr Review
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” mall footnote: Upon first setup, I’d gone with the -2dB treble contour to be happy. A few days later, I investigated the horn’s time alignment which after all is adjustable with that movable sled. This option predominantly affected the stage’s depth illumination and outline sharpness aka the plasticity of individual sounds. But it also pooled into my perception of relative treble strength. One can dial the horn for ‘hyper crisp’. And at first that was me. That extreme focus was impressive just then. After a bit though it began to wear and to feel like an image that’s been photoshopped for extra sharpness, with that unnatural edge pixilation as a result. Exactly that disappeared when the time alignment locked in properly. Think rounder edging which was more natural than the laser-cut bits. This also benefited the illusion of three-dimensional voices and instruments. Where I was really going with this is that the scalpel-crisp version also was tonally brighter. I thus recommend to spend some time on this time alignment whilst paying particular attention to focus, definition and spatial illumination. When those values fit, the last thing to trim is the perfection of the tonal balance.”
Outlaw Audio Model 5000 Review
April 4, 2015 Comments Off on Outlaw Audio Model 5000 Review
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“Soundstage depth and dimensionality across the front three speakers was impressive, and the Model 5000’s sound balance was ever so slightly on the warm side of neutral. There’s gobs of detail and resolution, but the sound never grated on my ears.”
NHT SuperBuds Review
April 4, 2015 Comments Off on NHT SuperBuds Review
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” Coming back around to sound, it almost seems like NHT set out to out-Beats the Tour 2.0 by tuning the SuperBuds to be slightly bassier, warmer, and richer-sounding. The SuperBuds’ bass is a little slower and its midrange – a little more veiled – but the smoothness can sound more natural and the presentation is a little less compressed. The Tour 2.0 is marginally clearer, a bit less full-bodied, and less forgiving at the top. It is also worth noting that the Beats are significantly more sensitive – potentially an issue for the SuperBuds with listeners who wrongly equate loudness with sound quality.”
PMC TWENTY.26 FLOORSTANDING LOUDSPEAKERS REVIEW
April 4, 2015 Comments Off on PMC TWENTY.26 FLOORSTANDING LOUDSPEAKERS REVIEW
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“Arguably a more relevant point of comparison is my old pair of PMC OB1i loudspeakers. The OB1i is effectively the predecessor of the Twenty.26, as it’s a three-way transmission-line loaded floorstander of similar height. A major difference, however, is that it uses a 75mm dome midrange sourced from Vifa, as PMC’s own 50mm unit was still just a gleam in designer Peter Thomas’ eye when the original OB1i made its debut more than a decade earlier. ”
Apex Teton – The Ultimate OT Headphone Amp Review
April 4, 2015 Comments Off on Apex Teton – The Ultimate OT Headphone Amp Review
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” The sound of the Apex Teton can best be described as fast, liquid, and immersive. Like other top-of-the-line amplifiers that I have heard, the Teton delivers its unique sound signature in a way that is pretty much flawless. This isn’t some warm tubey-sounding amplifier that as a result of its warmth ends up missing the last bit of detail or feeling slightly veiled”
LEAR LUF-4C In-Ear Headphone Review
April 4, 2015 Comments Off on LEAR LUF-4C In-Ear Headphone Review
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“The clarity in the mids, and the rest of the frequency spectrum for that matter, is excellent. The LUF-4C proficiently extracts micro details from tracks and leans towards an analytical sound signature. It is important to note that the LUF-4C is quite heavily dependent on tips and so it is crucial to get the right ones for your sound preferences. ”
Dynaudio Excite X14A Review
April 3, 2015 Comments Off on Dynaudio Excite X14A Review
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“The X14A’s bass response also goes much deeper than the tinier A3Xs so you also get a more powerful and full-range sound. All-in-all, the Dynaudio’s absolutely out-class the ADAM’s in every conceivable way, as they should considering the price difference. There is simply more musical there, there.”
InearZ IE-P350 Custom In-Ear Monitors Review
April 3, 2015 Comments Off on InearZ IE-P350 Custom In-Ear Monitors Review
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“The mids sit nicely in the middle of the sound of these, where they should be. Up front mids can be fun and engaging but also fatiguing, these are never fatiguing. They are slightly warmed up from the lows as stated, but this doesn’t make them muddy, they are still very well separated, it just adds a little extra body. ”
SONY MDR1R Review
April 3, 2015 Comments Off on SONY MDR1R Review
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” The low end of the headphone is no where near as potent as my beloved 950BT, which really took it too far in bass quantity. When I wrote that review of the Sony 950BT, I’d mentioned that I’d rather have had less bass quantity, more quality without sacrificing midrange.”
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