GAMUT SUPERIOR RS5 LOUDPEAKER – Review
November 30, 2014 Comments Off on GAMUT SUPERIOR RS5 LOUDPEAKER – Review
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“Again one felt that the mids were projected, presence somewhat recessed and the bass slightly detached, though there seemed little sign of the kind of deep, even cavernous, dip in the 100 to 300Hz region that tends to plague floorstanders. Rather there was just a generally lower level of energy compared to the mids above that region. The overall effect was a lot of midrange with good bass that was not quite continuously attached,”
Yamaha A-S3000, CD-S3000 Review
November 30, 2014 Comments Off on Yamaha A-S3000, CD-S3000 Review
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” There was authoritative grip on the bass, and the amp showed itself to be capable of handling the demands placed by the Maggies. Further up, there was no masking of the mids or treble with any suggestion of warmth or valve-like attributes, yet, there an an organic wholeness to the presentation that’s pleasing to even fussy ears.”
Custom Art Harmony 8 Pro & Pro 330v2 – Review
November 30, 2014 Comments Off on Custom Art Harmony 8 Pro & Pro 330v2 – Review
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” With the detachable cable connectors and additional drivers, my Pro 330 and Harmony 8 Pro both are sized more like a conventional CIEM rather than the ultra low-profile Music One, losing some of the uniqueness of that form factor.”
TIDAL Music Streaming Service Review
November 29, 2014 Comments Off on TIDAL Music Streaming Service Review
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” There was a degree of ambiguity to how TIDAL described these lossless files in some of the launch material- the phrase ‘high res’ crept in from time to time and I’ve always taken this to mean material that was better than CD quality rather than CD quality itself but nonetheless, this is a step from every service on the market save for French service Qobuz”
Bowers & Wilkins C5 Series 2 Review
November 29, 2014 Comments Off on Bowers & Wilkins C5 Series 2 Review
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“Lower register instrumentation gets a rich resonance, but blends quite well with the higher register strings, brass, and vocal performances. There’s a bit more bass presence here than some purists may want, but it’s not over-the-top, and allows for a more compelling balance where all elements of the orchestration can be heard. The highs are clear, precise, and never harsh”
Viva Egoista Amplifier $10,000 “A Majestic Masterpiece”: Part II – Review
November 29, 2014 Comments Off on Viva Egoista Amplifier $10,000 “A Majestic Masterpiece”: Part II – Review
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“The Egoista reproduces air and space better than any amplifier that has graced my listening room. The Viva does not have any “electronic” sound. The Minnesota Orchestra playing “Appalachian Spring” was romantic and warm ”
Cavalli Audio Liquid Lightning 2 Review
November 28, 2014 Comments Off on Cavalli Audio Liquid Lightning 2 Review
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“There are other commercial electro-static amplifiers out there like the HeadAmp Blue Hawaii Special Edition and Eddie Current Electra. But they are all vacuum tube based products and I’ve been living the tube-free life for the past few years
PLANTRONICS BACKBEAT PRO REVIEW
November 28, 2014 Comments Off on PLANTRONICS BACKBEAT PRO REVIEW
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“When played completely passively, the BackBeat Pro have a laid back, somewhat two-dimensional sound that’s punctuated by a distinct bass punch which makes kick drums especially pronounced. We also noticed the upper midrange/lower treble lacked a certain amount of zeal, which made the midrange sound a little recessed and veiled.”
PMC Twenty 26 review
November 28, 2014 Comments Off on PMC Twenty 26 review
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“They’re beautifully balanced, from a tonality that’s as even as you like to a combination of attack and refinement that’s class leading”
Cowon Plenue 1- Review
November 28, 2014 Comments Off on Cowon Plenue 1- Review
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“You get 128GB of internal memory, and that can be expanded up to 256GB with a microSD card. The Plenue 1 plays WAV, FLAC, AIFF, APE, ALAC, WMA, OGG, MP3, DXD and DSD files, up to 192kHz/24-bit resolution. Playback time is just 8 hours, which might be an issue for some buyers.”
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