B&W C5 Series 2 IEM – Review
November 3, 2014 Comments Off on B&W C5 Series 2 IEM – Review
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“The original C5 had a surprisingly spacious sound for in-ears, with a clear high end and intensely boosted bass. The low frequencies on the Series 2 is still very heavily featured, however the boosted range seems to be narrower than the original, while the intensity of the boost is increased”
AKG K812 OPEN-BACK – REVIEW
November 3, 2014 Comments Off on AKG K812 OPEN-BACK – REVIEW
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“The most critical analysis I’ve done is a direct comparison to the two similar headphones I’ve had recently – the Beyer T1 and T90. The T1’s bass isn’t as strong as the HD800’s as best I remembe”
Aurender W20 Music Server -Review
November 3, 2014 Comments Off on Aurender W20 Music Server -Review
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“In the four months that I lived with the W20 in my reference system, it was the epitome of stability. Unlike my dedicated audio computers, which routinely demand updates — and, all too frequently, reboots — the W20 needed to be rebooted only once, following a power outage that caused it to go into battery-controlled shutdown. ”
Perfect Seal SportBud Silver iem – Review
November 3, 2014 Comments Off on Perfect Seal SportBud Silver iem – Review
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“The bass is tuned as most workout earphones are, with plenty of bass, providing both pumping bass and warmth that will let you feel the deep bass to get you going. Bass quantity is not going to compare with most dynamic driver earphones, but the level of detail and precision will be higher at a similar price point”
VIENNA ACOUSTICS LISZT LOUDSPEAKER – REVIEW
November 2, 2014 Comments Off on VIENNA ACOUSTICS LISZT LOUDSPEAKER – REVIEW
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“Something similar occurred in listening to another rising star, the Austrian baritone Florian Boesch, whose work I also cannot commend highly enough.””
USHER N-6300 STANDMOUNT LOUDSPEAKER – REVIEW
November 2, 2014 Comments Off on USHER N-6300 STANDMOUNT LOUDSPEAKER – REVIEW
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“Despite the height of the loudspeaker, which would suggest it might work best on a low loudspeaker stand, this the N-6300 has its best driver-to-driver integration on a 48cm or even 60cm stand. This may look top-heavy unless a solid stand is used (that’s a good recommendation, anyway), but sonically places the drivers at a similar height as seen on the N-Series floorstanders.”
Beyerdynamic T51i review
November 2, 2014 Comments Off on Beyerdynamic T51i review
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“The midrange is eloquent and poised. Bass notes are substantial but taut. In rhythmic terms, the T51is possess timing of regimented precision.”
Zanden Audio Systems 120 Phono Stage
November 2, 2014 Comments Off on Zanden Audio Systems 120 Phono Stage
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” The rear panel boasts a wealth of connections. My review unit came standard with two sets of phono inputs: one single-ended and one balanced, the latter included because Yamada feels it’s the better type of connection”
Sonus Faber Venere 3.0 Floorstanding Speaker Review
November 1, 2014 Comments Off on Sonus Faber Venere 3.0 Floorstanding Speaker Review
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” decided that the best head-to-head comparison with my B&W/NHT system would be to run the Venere 3.0s in the same location as my second system. The Veneres are simple to set up, but Alan Haggar of Sumiko wanted to show me the setup procedure that he uses to set up speakers that he delivers, as well as demonstrate how getting the setup just right really maximizes the listening experience.”
TENOR POWER AMPLIFIER MODEL 175- Review
November 1, 2014 Comments Off on TENOR POWER AMPLIFIER MODEL 175- Review
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” Now, the musical value shot up tremendously. Earlier auditions of the Tenor monoblocks had familiarized me with the amp’s sonic character and I expected really good sound — and I got it all right; I recognized the amp’s sonic distinction immediately, which can only mean that the this preamp provided a relatively high level of neutrality.”
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