Audiophilepure

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“After getting the lay of the Gryphon land to spin more complex fare, the next quality which arose were dynamics. Here I’m emphatically not discussing macrodynamic excesses. With this level of clarity and projection power, there’s no need to caveman it on the throttle. There’s no need to overcome “intelligibility drag” until the curtains finally raise. They’re up already at subdued levels. I’m instead referring to the rippling of amplitude in the realm of melodic emphasis, of small accents in a beat’s delivery. Rather than a solid albeit congealed mass of loudness, such keen microdynamics are twitchier. There’s more flickering. By being dynamically interesting at standard volumes, the urge to crank it dissolves. It feels not merely primitive but a sign of compensation that attempts to remedy a lack of distinctiveness and involvement elsewhere. Perhaps it’s most sensible and meaningful to call this conjunction of qualities—microdynamic astuteness, focus and energetic projection for in-room presence—the ability to communicate. Unlike with poorly recorded dialogue during a television show that requires constant effort to not miss words, hence meaning and subtext, getting the complete message is easy. This must be down to Gryphon’s obsession with the time domain based on the complex filter math of their mentor ”