McIntosh C2600 Tubed Preamplifier Review

February 19, 2019 Comments Off on McIntosh C2600 Tubed Preamplifier Review

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“Delicate, signal-centric analog and digital sections are kept separate thanks to an internal, two layer dual-chassis design which according to the company was developed to prevent signal corruption, shielding intricate circuitry from RF and EMI interference. Analog inputs consist of three balanced (XLR), four unbalanced (RCA – gold plated, solid brass) and dedicated MM and MC phono stages (40dB/60dB voltage gain respectively). Digital inputs include one asynchronous USB Type-B, two coaxial, three optical and one proprietary McIntosh MCT (DIN) which offers a secure DSD connection for McIntosh SACD/CD transports. A headphone amplifier featuring McIntosh’s Headphone Crossfeed Director (HXD) is built-in as well “to allow high quality recordings to image like conventional speakers in your headphones” according to the company (A claim I can attest to after extensive listening sessions, the sensation is less ‘in the centre of your head’ if I had to briefly describe it). You can utilize or bypass Tone controls and all inputs can be individually named to custom tailor them to your specific gear or nomenclature and be input level-matched to +/-6dB, bass and treble settings can also be adjusted on a per-input basis. The unit also has a Home Theatre PassThru, Power Control Output (one main, four trigger), RS232 Control Input and a rear panel IR sensor input.”

McIntosh C2600 Tubed Preamplifier Review

January 19, 2019 Comments Off on McIntosh C2600 Tubed Preamplifier Review

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“McIntosh’s proprietary HXD Circuitry for the built-in headphone amplifier put me in mind of SPL’s Phonitor X and its Matrix system, which is similar to McIntosh’s in that it is about experiencing headphone playback more as though listening – in the 3D-presentation sense – to a pair of stereo loudspeakers. Imbued with a wide and high sound stage that, like well-placed loudspeakers in a room, created a sense of extreme breadth in playback that like the Phonitor X, reminded me that headphone amplifiers not utilizing this type of circuitry can sound spatially smaller in comparison. The C2600’s headphone output can have HXD turned either on or off, so if this isn’t your cup of tea, you can get a more familiar headphone listening experience without it enabled. Utilizing a number of headphones of various impedance loads (from the Sennheiser 820 HD @300 Ohms, to the LCD-4z @15 Ohms) there was never any intimation of lack of drive or dynamics from the C2600. Resolution was outstanding without ever straying into etched, or sharp and pointy territory.”

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