Audiophilepure

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” There were subtle differences, though; the 760A’s slightly warmer, fuller sound consistently translated into images and voices drawn with greater depths of tonal color and naturalness. The Simaudio also painted images with a hint more grandeur, giving me somewhat of a front-row vantage on the sound, as opposed to the Classés’ slightly recessed and drier character. Henley’s kick drum proved a perfect example of this — through the Simaudio, it sounded larger and more organic, while the Classés struggled to balance their punchy authority with the same level of scale”

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” I was able to appreciate the nuances of each instrument more easily than I’m accustomed to. Plucks of each string of Glenn Frey’s acoustic guitar were conveyed with truthful singularity, possessing precise leading-edge definition without sounding analytical. Even more alluring was the tightrope the 760A consistently walked between offering snappy transients and focused images while retaining the natural golden hue of the acoustic’s strings.”

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” But none of this compares to how this diminutive amplifier could, with commanding authority, project into space three-dimensional images of a scale appropriate to the recording. I tried to get the 760A to clip as it drove my Rockport Atrias (sensitivity: 87dB) to levels I’m sure designer Andy Payor never thought probable, but I failed. Dismally. Instead, I heard from the system a highly controlled yet refined portrayal of whatever I had the guts to throw at it. The 760A deserves respect.”