Audiophilepure

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” The music emerged from a superquiet, jet-black background with a big, commanding sound, lifelike scale, and tight, deep bass — all hallmarks of a well-designed, high-mass turntable. Paul Chambers’s lowest double-bass notes in “Flamenco Sketches,” for example, had authoritative weight and extension while remaining taut and well-defined, devoid of any bloat or overhang”

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“One area in which the Pro-Ject came up aces was in its treatment of less-than-pristine LPs: The Extension 10 and BlackBird rendered groove and surface noise utterly innocuous. Though it wasn’t necessarily the quietest ’table I’ve ever heard, it had a way of softening the edges around groove and surface noise enough for those artifacts to sound separate and nearly absent from the music”