Audiophilepure

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” The same goes for this SME. Without going into details one might just say that what it offers is a high quality performance, a very “honest” one. Spending more money will give us a richer sound, better definition in both range extremes and deeper soundstage. Soundstage will be also even more precise and there might be less noise from record’s groove. There will be some gain in sound volume, and one will enjoy even better impression of instruments texture.”

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” The soundstage is created in front of the listener, between speakers. Within this “window” everything is presented in a particularly orderly, clean, well defined way. It’s not only about exact placement of each instrument on the stage, but also about well differentiated timbre of each of them. The latter is particularly important for this type of presentation. This slightly detached performance is compensated or complemented with a particularly good timbre differentiation. And this creates impression of a very rich presentation. The soundstage is quite deep, but it doesn’t excel. It can also move closer to listener, even surround him – that’s what happens on Jarre’s maxi-single, or the new re-issue of Roger Waters’ Amused to Death. I can hardly imagine someone who wouldn’t be fully satisfied here.”